Robert Frost

alt="robert frost"
 

Robert Frost was born on March 26th, 1874. One of the most celebrated poets in America, Robert Frost was an author of searching and often dark meditations on universal themes and a quintessentially modern poet in his adherence to language as it is actually spoken, in the psychological complexity of his portraits, and in the degree to which his work is infused with layers of ambiguity and irony. Robert Frost's work was highly associated with rural life in New England. The poet often uses the New England setting to explore complicated philosophical and social themes. As a well-known and often-quoted poet, Robert Frost was highly honored during his presence on earth, receiving 4 Pulitzer Prizes.

Robert Frost's father was a former teacher who later turned newspaperman. His father was also known to be a gambler, a hard drinker, and a harsh disciplinarian. For as long as he allowed, he had a passion for politics. Robert Frost resided in California until the age of eleven. Frost moved with his mother and sister to eastern Massachusetts, after the death of his father.

Frost's mother later joined the Swedenborgian church and had the poet baptized in it. As an adult, Frost left the faith of his mother. As a city boy, Frost grew up understanding so many things in life and had his first poem published in Lawrence, Massachusetts. In 1892, he attended Dartmouth College for just less than a semester. While at Dartmouth College, Frost joined the fraternity called Theta Delta Chi. Frost went back to his hometown to work and teach at various jobs including newspaper delivery and factory assignment. Robert Frost sold his first poem titled My Butterfly in 1894 to The Independent at the rate of 15 dollars.

Frost was proud of the success the poem brought to him and went on to ask Elinor Miriam White's hands in marriage. Both Elinor and Frost had graduated co-valedictorians from their high-school and remained in contact with one another. However, Elinor Miriam White refused the notion to marry Frost, mentioning that her education was important first. Robert Frost felt another man was occupying his position in White's heart and went on an excursion to the Great Dismal Swamp in Virginia. He came back in 1895 and asked Elinor White again to marry him. The same year, both of them became happily married.

The couple taught school together until the year 1897. Robert Frost later entered Harvard University for 2 years. His records were good, but he decided to go back home because Elinor is expecting her second child. Frost's grandfather bought a farmer in Derry, New Hampshire for the young couple. Frost remained there for a space of 9 years and wrote so many of the poems that will make up his first works. While attempting to pick up the poultry farming business, the whole thing went unsuccessful. Frost was forced to settle for another at Pinkerton Academy, a secondary school.

Roberts Frost went to Glasgow with his family in 1912 and later lived in Beaconsfield. In the next year, Frost published his first book titled A Boy's Will. In England, Robert Frost made important contacts including T. E. Hulme, Edward Thomas, and Ezra Pound. The mentioned names were the first Americans to write a favorable review of Robert Frost's work. Some of the first pieces of his poet work were written while living in England. In 1915, Robert Lee returned to America and purchased a farm in Franconia, New Hampshire. That same year, Frost launched a career of writing, lecturing and teaching.

Frost became an English professor at Amherst College from 1916-1938. While a professor at Amherst College, he advised his writing students to always bring the notion of the human voices to their craft. From 1921 and the next forty-two years of his life, he had three great expectations. During summers, Frost spent time teaching at the Bread Loaf School of English of Middlebury College in Ripton, Vermont. Nevertheless, Middlebury College still owns and managed Frost's farm. Middlebury College as managed his farm as a National Historic Site located near the Bread Loaf campus. He also represented the United States of America on several official missions. On January 20th, 1961 inauguration of President John F. Kennedy, Frost recited a poem titled The Gift Outright.

Over the course of his career, he became popular for poems involving the interplay of voices such as Death of the Hired Man or dramas. To be factual and upfront here, Frost's work was highly well-known among so many people and it remained so. Among Frost's popular shorter poems are Mending Wall, Directive, Stopping by Woods on a Snowy Evening, The Road Not Taken, Nothing Gold Can Stay, Fire and Ice, Birches, After Apple Picking. Robert Frost won the Pulitzer Prize at 4 different times. This is an achievement unequaled by any other American poet.

Robert Frost finally died in Boston on January 29th, 1963. He was happily buried in the Old Bennington Cemetery, Vermont. Harvard's 1965 alumni archive dictates that Frost had an honorary degree in the university. He also received honorary degrees from Oxford, Bates College, and Cambridge universities. History records that Robert Frost was the first person to receive 2 honorary degrees from Dartmouth College. During his lifetime, the main library of Amherst College and as well as the Robert Frost Middle School in Fairfax, Virginia were named after him.

Selected Poems by ROBERT FROST

  1. The Road Not Taken

    by ROBERT FROST

    Two roads diverged in a yellow wood,
    And sorry I could not travel both
    And be one traveler, long I stood
    And looked down one as far as I could
    To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I
I took the one less traveled by,
And that has made all the difference.

Analysis of “The Road Not Taken” can be found here.

 

2. Stopping by Woods on a Snowy Evening

by ROBERT FROST

Whose woods these are I think I know
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

 

3. Fire and Ice

by ROBERT FROST

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

 

4. Acquainted with the Night

by ROBERT FROST

I have been one acquainted with the night.
I have walked out in rain and back in rain.
I have outwalked the furthest city light.

I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another sireet,

But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky

Proclaimed the time was neither wrong nor right
I have been one acquainted with the night.

 

5. Nothing Gold Can Stay

by ROBERT FROST

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

6. After Apple-Picking

BY ROBERT FROST

My long two-pointed ladder's sticking through a tree

Toward heaven still,

And there's a barrel that I didn't fill

Beside it, and there may be two or three

Apples I didn't pick upon some bough.

But I am done with apple-picking now.

Essence of winter sleep is on the night,

The scent of apples: I am drowsing off.

I cannot rub the strangeness from my sight

I got from looking through a pane of glass

I skimmed this morning from the drinking trough

And held against the world of hoary grass.

It melted, and I let it fall and break.

But I was well

Upon my way to sleep before it fell,

And I could tell

What form my dreaming was about to take.

Magnified apples appear and disappear,

Stem end and blossom end,

And every fleck of russet showing clear.

My instep arch not only keeps the ache,

It keeps the pressure of a ladder-round.

I feel the ladder sway as the boughs bend.

And I keep hearing from the cellar bin

The rumbling sound

Of load on load of apples coming in.

For I have had too much

Of apple-picking: I am overtired

Of the great harvest I myself desired.

There were ten thousand thousand fruit to touch,

Cherish in hand, lift down, and not let fall.

For all

That struck the earth,

No matter if not bruised or spiked with stubble,

Went surely to the cider-apple heap

As of no worth.

One can see what will trouble

This sleep of mine, whatever sleep it is.

Were he not gone,

The woodchuck could say whether it's like his

Long sleep, as I describe its coming on,

Or just some human sleep.


7. Mending Wall

BY ROBERT FROST

Something there is that doesn't love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.

The work of hunters is another thing:

I have come after them and made repair

Where they have left not one stone on a stone,

But they would have the rabbit out of hiding,

To please the yelping dogs. The gaps I mean,

No one has seen them made or heard them made,

But at spring mending-time we find them there.

I let my neighbor know beyond the hill;

And on a day we meet to walk the line

And set the wall between us once again.

We keep the wall between us as we go.

To each the boulders that have fallen to each.

And some are loaves and some so nearly balls

We have to use a spell to make them balance:

‘Stay where you are until our backs are turned!’

We wear our fingers rough with handling them.

Oh, just another kind of out-door game,

One on a side. It comes to little more:

There where it is we do not need the wall:

He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, ‘Good fences make good neighbors.’

Spring is the mischief in me, and I wonder

If I could put a notion in his head:

‘Why do they make good neighbors? Isn't it

Where there are cows? But here there are no cows.

Before I built a wall I'd ask to know

What I was walling in or walling out,

And to whom I was like to give offense.

Something there is that doesn't love a wall,

That wants it down.’ I could say ‘Elves’ to him,

But it's not elves exactly, and I'd rather

He said it for himself. I see him there

Bringing a stone grasped firmly by the top

In each hand, like an old-stone savage armed.

He moves in darkness as it seems to me,

Not of woods only and the shade of trees.

He will not go behind his father's saying,

And he likes having thought of it so well

He says again, ‘Good fences make good neighbors.’


8. Directive

by ROBERT FROST

Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you'll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry -

Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there's a story in a book about it:
Besides the wear of iron wagon wheels
The ledges show lines ruled southeast-northwest,
The chisel work of an enormous Glacier
That braced his feet against the Arctic Pole.
You must not mind a certain coolness from him
Still said to haunt this side of Panther Mountain.
Nor need you mind the serial ordeal

Of being watched from forty cellar holes
As if by eye pairs out of forty firkins.
As for the woods' excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.
Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.
Make yourself up a cheering song of how
Someone's road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you're lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left's no bigger than a harness gall.
First there's the children's house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This was no playhouse but a house in earnest.
Your destination and your destiny's
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.
(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)
I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can't find it,
So can't get saved, as Saint Mark says they mustn't.
(I stole the goblet from the children's playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.

9. Birches

BY ROBERT FROST

When I see birches bend to left and right

Across the lines of straighter darker trees,

I like to think some boy’s been swinging them.

But swinging doesn’t bend them down to stay

As ice-storms do. Often you must have seen them

Loaded with ice a sunny winter morning

After a rain. They click upon themselves

As the breeze rises, and turn many-colored

As the stir cracks and crazes their enamel.

Soon the sun’s warmth makes them shed crystal shells

Shattering and avalanching on the snow-crust—

Such heaps of broken glass to sweep away

You'd think the inner dome of heaven had fallen.

They are dragged to the withered bracken by the load,

And they seem not to break; though once they are bowed

So low for long, they never right themselves:

You may see their trunks arching in the woods

Years afterwards, trailing their leaves on the ground

Like girls on hands and knees that throw their hair

Before them over their heads to dry in the sun.

But I was going to say when Truth broke in

With all her matter-of-fact about the ice-storm

I should prefer to have some boy bend them

As he went out and in to fetch the cows—

Some boy too far from town to learn baseball,

Whose only play was what he found himself,

Summer or winter, and could play alone.

One by one he subdued his father's trees

By riding them down over and over again

Until he took the stiffness out of them,

And not one but hung limp, not one was left

For him to conquer. He learned all there was

To learn about not launching out too soon

And so not carrying the tree away

Clear to the ground. He always kept his poise

To the top branches, climbing carefully

With the same pains you use to fill a cup

Up to the brim, and even above the brim.

Then he flung outward, feet first, with a swish,

Kicking his way down through the air to the ground.

So was I once myself a swinger of birches.

And so I dream of going back to be.

It’s when I’m weary of considerations,

And life is too much like a pathless wood

Where your face burns and tickles with the cobwebs

Broken across it, and one eye is weeping

From a twig’s having lashed across it open.

I'd like to get away from earth awhile

And then come back to it and begin over.

May no fate willfully misunderstand me

And half grant what I wish and snatch me away

Not to return. Earth’s the right place for love:

I don’t know where it's likely to go better.

I'd like to go by climbing a birch tree,

And climb black branches up a snow-white trunk

Toward heaven, till the tree could bear no more,

But dipped its top and set me down again.

That would be good both going and coming back.

One could do worse than be a swinger of birches.

 
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