Alexander Pope

alt="alexander pope"
 

Alexander Pope, 1688-1744

Early life

The poet and translator Alexander Pope was born in London in 1688. He was mostly educated at Catholic schools, until 1700 when the family was forced by anti-Catholic sentiment to settle in Berkshire, outside London, and the young Pope resumed his education privately. He suffered from poor health, including Pott’s disease, which severely stunted his growth and shortened his life.

Nonetheless, he was recognised as a poetic talent relatively early, with his Pastorals being published in 1709 and the Essay on Criticism (a poem in heroic couplets) in 1711. In the Essay, Pope discusses the emerging industry of literary criticism, castigating, for instance, the kind of critic who is a ‘bookful blockhead, ignorantly read’ – a person who reads everything that is published but whose interpretations are blinkered by his own opinions.

Famous works

Pope’s other famous works include The Rape of the Lock (1712, 1714), a mock-epic poem telling the story of a society woman who has a lock of hair stolen by a suitor; ‘Windsor Forest’ (1713), a pastoral celebration of the English countryside in praise of Queen Anne, whom Pope’s speaker addresses as ‘Augusta’ (connecting her with the Roman emperor Augustus, praised by poets such as Virgil for ushering in a new age of peace); and Eloisa to Abelard (1717), a verse epistle reimagining the tragic story of Eloise and Abelard, star-crossed lovers from 12th-century France.

As well as editing Shakespeare’s works (of which he published a six-volume edition in 1725), Pope was also a skilful classicist, whose knowledge of ancient Greek and Roman poetry not only permeated his own compositions, but also enabled him to produce translations of Homer’s The Iliad (serialised between 1715–20) and The Odyssey (1725–26), and Horace’s Odes (1737, 1738). The Homeric translations made Pope enough money to move to a villa in Twickenham, Middlesex, which he beautified with gardens and a famous grotto, which visitors can still see today.

Satire and The Dunciad

In 1728 Pope published the first version of one of his most celebrated works, the satirical The Dunciad. Dedicated to Jonathan Swift, the poem is chiefly aimed at the Shakespearean critic Lewis Theobald, who had offended Pope by criticising his edition of Shakespeare. In The Dunciad, Pope makes Theobald ‘King of the Dunces’, but additionally mocks a host of characters from London’s literary and journalistic scene, all ruled over by the goddess ‘Dulness’. The first edition of The Dunciad was anonymous, and the targets of its satire were designated only by their initials, but later editions gave more detail, and Pope eventually openly admitted to having authored the work. He substantially revised the poem in 1743, giving it a new hero and ‘King of the Dunces’ (the actor and writer, and Pope’s enemy, Colley Cibber).

Popularising the heroic couplet

Pope is perhaps ultimately best known for having popularised the heroic couplet as a form for the pithy expression of recognisable ideas. As the Essay on Criticism states, in a formulation often quoted as encapsulating Pope’s attitude: 

True wit is nature to advantage dressed,
Which oft was thought, but ne’er so well expressed.

Selected Poems by ALEXANDER POPE

  1. THE RAPE OF THE LOCK: CANTO 1

    by ALEXANDER POPE

    Nolueram, Belinda, tuos violare capillos; Sedjuvat, hoc precibus me tribuisse tuis. (Martial, Epigrams 12.84)

    What dire offence from am'rous causes springs, What mighty contests rise from trivial things, I sing--This verse to Caryl, Muse! is due: This, ev'n Belinda may vouchsafe to view: Slight is the subject, but not so the praise, If she inspire, and he approve my lays. Say what strange motive, Goddess! could compel A well-bred lord t' assault a gentle belle? O say what stranger cause, yet unexplor'd, Could make a gentle belle reject a lord? In tasks so bold, can little men engage, And in soft bosoms dwells such mighty rage? Sol thro' white curtains shot a tim'rous ray, And op'd those eyes that must eclipse the day; Now lap-dogs give themselves the rousing shake, And sleepless lovers, just at twelve, awake: Thrice rung the bell, the slipper knock'd the ground, And the press'd watch return'd a silver sound. Belinda still her downy pillow press'd, Her guardian sylph prolong'd the balmy rest: 'Twas he had summon'd to her silent bed The morning dream that hover'd o'er her head; A youth more glitt'ring than a birthnight beau, (That ev'n in slumber caus'd her cheek to glow) Seem'd to her ear his winning lips to lay, And thus in whispers said, or seem'd to say. "Fairest of mortals, thou distinguish'd care Of thousand bright inhabitants of air! If e'er one vision touch'd thy infant thought, Of all the nurse and all the priest have taught, Of airy elves by moonlight shadows seen, The silver token, and the circled green, Or virgins visited by angel pow'rs, With golden crowns and wreaths of heav'nly flow'rs, Hear and believe! thy own importance know, Nor bound thy narrow views to things below. Some secret truths from learned pride conceal'd, To maids alone and children are reveal'd: What tho' no credit doubting wits may give? The fair and innocent shall still believe. Know then, unnumber'd spirits round thee fly, The light militia of the lower sky; These, though unseen, are ever on theg, Hang o'er the box, and hover round the Ring. Think what an equipage thou hast in air, And view with scorn two pages and a chair. As now your own, our beings were of old, And once inclos'd in woman's beauteous mould; Thence, by a soft transition, we repair From earthly vehicles to these of air. Think not, when woman's transient breath is fled, That all her vanities at once are dead; Succeeding vanities she still regards, And tho' she plays no more, o'erlooks the cards. Her joy in gilded chariots, when alive, And love of ombre, after death survive. For when the fair in all their pride expire, To their first elements their souls retire: The sprites of fiery termagants in flame Mount up, and take a Salamander's name. Soft yielding minds to water glide away, And sip with Nymphs, their elemental tea. The graver prude sinks downward to a Gnome, In search of mischief still on earth to roam. The light coquettes in Sylphs aloft repair, And sport and flutter in the fields of air. Know further yet; whoever fair and chaste Rejects mankind, is by some sylph embrac'd: For spirits, freed from mortal laws, with ease Assume what sexes and what shapes they please. What guards the purity of melting maids, In courtly balls, and midnight masquerades, Safe from the treach'rous friend, the daring spark, The glance by day, the whisper in the dark, When kind occasion prompts their warm desires, When music softens, and when dancing fires? 'Tis but their sylph, the wise celestials know, Though honour is the word with men below. Some nymphs there are, too conscious of their face, For life predestin'd to the gnomes' embrace. These swell their prospects and exalt their pride, When offers are disdain'd, and love denied: Then gay ideas crowd the vacant brain, While peers, and dukes, and all their sweeping train, And garters, stars, and coronets appear, And in soft sounds 'Your Grace' salutes their ear. 'Tis these that early taint the female soul, Instruct the eyes of young coquettes to roll, Teach infant cheeks a bidden blush to know, And little hearts to flutter at a beau. Oft, when the world imagine women stray, The Sylphs through mystic mazes guide their way, Thro' all the giddy circle they pursue, And old impertinence expel by new. What tender maid but must a victim fall To one man's treat, but for another's ball? When Florio speaks, what virgin could withstand, If gentle Damon did not squeeze her hand? With varying vanities, from ev'ry part, They shift the moving toyshop of their heart; Where wigs with wigs, with sword-knots sword-knots strive, Beaux banish beaux, and coaches coaches drive. This erring mortals levity may call, Oh blind to truth! the Sylphs contrive it all. Of these am I, who thy protection claim, A watchful sprite, and Ariel is my name. Late, as I rang'd the crystal wilds of air, In the clear mirror of thy ruling star I saw, alas! some dread event impend, Ere to the main this morning sun descend, But Heav'n reveals not what, or how, or where: Warn'd by the Sylph, oh pious maid, beware! This to disclose is all thy guardian can. Beware of all, but most beware of man!" He said; when Shock, who thought she slept too long, Leap'd up, and wak'd his mistress with his tongue. 'Twas then, Belinda, if report say true, Thy eyes first open'd on a billet-doux; Wounds, charms, and ardors were no sooner read, But all the vision vanish'd from thy head. And now, unveil'd, the toilet stands display'd, Each silver vase in mystic order laid. First, rob'd in white, the nymph intent adores With head uncover'd, the cosmetic pow'rs. A heav'nly image in the glass appears, To that she bends, to that her eyes she rears; Th' inferior priestess, at her altar's side, Trembling, begins the sacred rites of pride. Unnumber'd treasures ope at once, and here The various off'rings of the world appear; From each she nicely culls with curious toil, And decks the goddess with the glitt'ring spoil. This casket India's glowing gems unlocks, And all Arabia breathes from yonder box. The tortoise here and elephant unite, Transform'd to combs, the speckled and the white. Here files of pins extend their shining rows, Puffs, powders, patches, bibles, billet-doux. Now awful beauty puts on all its arms; The fair each moment rises in her charms, Repairs her smiles, awakens ev'ry grace, And calls forth all the wonders of her face; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy Sylphs surround their darling care; These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown; And Betty's prais'd for labours not her own.

  2. Summer

    by ALEXANDER POPE

    See what delights in sylvan scenes appear!
    Descending Gods have found Elysium here.
    In woods bright Venus with Adonis stray'd,
    And chaste Diana haunts the forest shade.
    Come lovely nymph, and bless the silent hours,
    When swains from shearing seek their nightly bow'rs;
    When weary reapers quit the sultry field,
    And crown'd with corn, their thanks to Ceres yield.
    This harmless grove no lurking viper hides,
    But in my breast the serpent Love abides.
    Here bees from blossoms sip the rosy dew,
    But your Alexis knows no sweets but you.
    Oh deign to visit our forsaken seats,
    The mossy fountains, and the green retreats!
    Where-e'er you walk, cool gales shall fan the glade,
    Trees, where you sit, shall crowd into a shade,
    Where-e'er you tread, the blushing flow'rs shall rise,
    And all things flourish where you turn your eyes.
    Oh! How I long with you to pass my days,
    Invoke the muses, and resound your praise;
    Your praise the birds shall chant in ev'ry grove,
    And winds shall waft it to the pow'rs above.
    But wou'd you sing, and rival Orpheus' strain,
    The wond'ring forests soon shou'd dance again,
    The moving mountains hear the pow'rful call,
    And headlong streams hang list'ning in their fall!
    But see, the shepherds shun the noon-day heat,
    The lowing herds to murm'ring brooks retreat,
    To closer shades the panting flocks remove,
    Ye Gods! And is there no relief for Love?
    But soon the sun with milder rays descends
    To the cool ocean, where his journey ends;
    On me Love's fiercer flames for ever prey,
    By night he scorches, as he burns by day.

  3. The Three Gentle Shepherds by ALEXANDER POPE Of gentle Philips will I ever sing, With gentle Philips shall the valleys ring. My numbers too for ever will I vary, With gentle Budgell and with gentle Carey. Or if in ranging of the names I judge ill, With gentle Carey and with gentle Budgell: Oh! may all gentle bards together place ye, Men of good hearts, and men of delicacy. May satire ne'er befool ye, or beknave ye, And from all wits that have a knack, God save ye.

  4. Two Or Three: A Recipe To Make A Cuckold by ALEXANDER POPE

    Two or three visits, and two or three bows, Two or three civil things, two or three vows, Two or three kisses, with two or three sighs, Two or three Jesus's - and let me dies- Two or three squeezes, and two or three towses, With two or three thousand pound lost at their houses, Can never fail cuckolding two or three spouses.

  5. Impromptu, to Lady Winchelsea

    by ALEXANDER POPE

    In vain you boast Poetic Names of yore,
    And cite those Sapho's we admire no more:
    Fate doom'd the Fall of ev'ry Female Wit,
    But doom'd it then when first Ardelia writ.
    Of all Examples by the World confest,
    I knew Ardelia could not quote the best;
    Who, like her Mistress on Britannia's Throne;
    Fights, and subdues in Quarrels not her own.
    To write their Praise you but in vain essay;
    Ev'n while you write, you take that Praise away:
    Light to the Stars the Sun does thus restore,
    But shines himself till they are seen no more.

  6. The Riddle of the World

    by ALEXANDER POPE

    Know then thyself, presume not God to scan
    The proper study of Mankind is Man.
    Placed on this isthmus of a middle state,
    A Being darkly wise, and rudely great:
    With too much knowledge for the Sceptic side,
    With too much weakness for the Stoic's pride,
    He hangs between; in doubt to act, or rest;
    In doubt to deem himself a God, or Beast;
    In doubt his mind and body to prefer;
    Born but to die, and reas'ning but to err;
    Whether he thinks to little, or too much;
    Chaos of Thought and Passion, all confus'd;
    Still by himself, abus'd or disabus'd;
    Created half to rise and half to fall;
    Great Lord of all things, yet a prey to all,
    Sole judge of truth, in endless error hurl'd;
    The glory, jest and riddle of the world.


  7. Elegy to the Memory of an Unfortunate Lady

    by ALEXANDER POPE

    What beck'ning ghost, along the moon-light shade
    Invites my steps, and points to yonder glade?
    'Tis she!--but why that bleeding bosom gor'd,
    Why dimly gleams the visionary sword?
    Oh ever beauteous, ever friendly! tell,
    Is it, in heav'n, a crime to love too well?
    To bear too tender, or too firm a heart,
    To act a lover's or a Roman's part?
    Is there no bright reversion in the sky,
    For those who greatly think, or bravely die?

    Why bade ye else, ye pow'rs! her soul aspire
    Above the vulgar flight of low desire?
    Ambition first sprung from your blest abodes;
    The glorious fault of angels and of gods;
    Thence to their images on earth it flows,
    And in the breasts of kings and heroes glows.
    Most souls, 'tis true, but peep out once an age,
    Dull sullen pris'ners in the body's cage:
    Dim lights of life, that burn a length of years
    Useless, unseen, as lamps in sepulchres;
    Like eastern kings a lazy state they keep,
    And close confin'd to their own palace, sleep.

    From these perhaps (ere nature bade her die)
    Fate snatch'd her early to the pitying sky.
    As into air the purer spirits flow,
    And sep'rate from their kindred dregs below;
    So flew the soul to its congenial place,
    Nor left one virtue to redeem her race.

    But thou, false guardian of a charge too good,
    Thou, mean deserter of thy brother's blood!
    See on these ruby lips the trembling breath,
    These cheeks now fading at the blast of death:
    Cold is that breast which warm'd the world before,
    And those love-darting eyes must roll no more.
    Thus, if eternal justice rules the ball,
    Thus shall your wives, and thus your children fall;
    On all the line a sudden vengeance waits,
    And frequent hearses shall besiege your gates.
    There passengers shall stand, and pointing say,
    (While the long fun'rals blacken all the way)
    "Lo these were they, whose souls the furies steel'd,
    And curs'd with hearts unknowing how to yield.
    Thus unlamented pass the proud away,
    The gaze of fools, and pageant of a day!
    So perish all, whose breast ne'er learn'd to glow
    For others' good, or melt at others' woe."

    What can atone (oh ever-injur'd shade!)
    Thy fate unpitied, and thy rites unpaid?
    No friend's complaint, no kind domestic tear
    Pleas'd thy pale ghost, or grac'd thy mournful bier.
    By foreign hands thy dying eyes were clos'd,
    By foreign hands thy decent limbs compos'd,
    By foreign hands thy humble grave adorn'd,
    By strangers honour'd, and by strangers mourn'd!
    What though no friends in sable weeds appear,
    Grieve for an hour, perhaps, then mourn a year,
    And bear about the mockery of woe
    To midnight dances, and the public show?
    What though no weeping loves thy ashes grace,
    Nor polish'd marble emulate thy face?
    What though no sacred earth allow thee room,
    Nor hallow'd dirge be mutter'd o'er thy tomb?
    Yet shall thy grave with rising flow'rs be drest,
    And the green turf lie lightly on thy breast:
    There shall the morn her earliest tears bestow,
    There the first roses of the year shall blow;
    While angels with their silver wings o'ershade
    The ground, now sacred by thy reliques made.

    So peaceful rests, without a stone, a name,
    What once had beauty, titles, wealth, and fame.
    How lov'd, how honour'd once, avails thee not,
    To whom related, or by whom begot;
    A heap of dust alone remains of thee,
    'Tis all thou art, and all the proud shall be!

    Poets themselves must fall, like those they sung,
    Deaf the prais'd ear, and mute the tuneful tongue.
    Ev'n he, whose soul now melts in mournful lays,
    Shall shortly want the gen'rous tear he pays;
    Then from his closing eyes thy form shall part,
    And the last pang shall tear thee from his heart,
    Life's idle business at one gasp be o'er,
    The Muse forgot, and thou belov'd no more!


  8. Farewell to London by ALEXANDER POPE

    Dear, damn'd distracting town, farewell! Thy fools no more I'll tease: This year in peace, ye critics, dwell, Ye harlots, sleep at ease! Soft B-- and rough C--s adieu, Earl Warwick made your moan, The lively H--k and you May knock up whores alone. To drink and droll be Rowe allow'd Till the third watchman's toll; Let Jervas gratis paint, and Frowde Save three-pence and his soul. Farewell, Arbuthnot's raillery On every learned sot; And Garth, the best good Christian he, Although he knows it not. Lintot, farewell! thy bard must go; Farewell, unhappy Tonson! Heaven gives thee for thy loss of Rowe, Lean Philips, and fat Johnson. Why should I stay? Both parties rage; My vixen mistress squalls; The wits in envious feuds engage: And Homer (damn him!) calls. The love of arts lies cold and dead In Halifax's urn: And not one Muse of all he fed Has yet the grace to mourn. My friends, by turns, my friends confound, Betray, and are betrayed: Poor Y--r's sold for fifty pound, And B--ll is a jade. Why make I friendships with the great, When I no favour seek? Or follow girls, seven hours in eight? I us'd but once a week. Still idle, with a busy air, Deep whimsies to contrive; The gayest valetudinaire, Most thinking rake, alive. Solicitous for others' ends, Though fond of dear repose; Careless or drowsy with my friends, And frolic with my foes. Luxurious lobster-nights, farewell, For sober, studious days! And Burlington's delicious meal, For salads, tarts, and pease! Adieu to all, but Gay alone, Whose soul, sincere and free, Loves all mankind, but flatters none, And so may starve with me.

  9. Ode On Solitude

    by ALEXANDER POPE

    Happy the man, whose wish and care
    A few paternal acres bound,
    Content to breathe his native air,
    In his own ground.

    Whose heards with milk, whose fields with bread,
    Whose flocks supply him with attire,
    Whose trees in summer yield him shade,
    In winter fire.

    Blest! who can unconcern'dly find
    Hours, days, and years slide soft away,
    In health of body, peace of mind,
    Quiet by day,

    Sound sleep by night; study and ease
    Together mix'd; sweet recreation,
    And innocence, which most does please,
    With meditation.

    Thus let me live, unseen, unknown;
    Thus unlamented let me dye;
    Steal from the world, and not a stone
    Tell where I lye.

  10. The Rape of the Lock: Canto 4

    by ALEXANDER POPE

    But anxious cares the pensive nymph oppress'd,
    And secret passions labour'd in her breast.
    Not youthful kings in battle seiz'd alive,
    Not scornful virgins who their charms survive,
    Not ardent lovers robb'd of all their bliss,
    Not ancient ladies when refus'd a kiss,
    Not tyrants fierce that unrepenting die,
    Not Cynthia when her manteau's pinn'd awry,
    E'er felt such rage, resentment, and despair,
    As thou, sad virgin! for thy ravish'd hair.

    For, that sad moment, when the Sylphs withdrew,
    And Ariel weeping from Belinda flew,
    Umbriel, a dusky, melancholy sprite,
    As ever sullied the fair face of light,
    Down to the central earth, his proper scene,
    Repair'd to search the gloomy cave of Spleen.

    Swift on his sooty pinions flits the Gnome,
    And in a vapour reach'd the dismal dome.
    No cheerful breeze this sullen region knows,
    The dreaded East is all the wind that blows.
    Here, in a grotto, shelter'd close from air,
    And screen'd in shades from day's detested glare,
    She sighs for ever on her pensive bed,
    Pain at her side, and Megrim at her head.

    Two handmaids wait the throne: alike in place,
    But diff'ring far in figure and in face.
    Here stood Ill Nature like an ancient maid,
    Her wrinkled form in black and white array'd;
    With store of pray'rs, for mornings, nights, and noons,
    Her hand is fill'd; her bosom with lampoons.

    There Affectation, with a sickly mien,
    Shows in her cheek the roses of eighteen,
    Practis'd to lisp, and hang the head aside,
    Faints into airs, and languishes with pride,
    On the rich quilt sinks with becoming woe,
    Wrapp'd in a gown, for sickness, and for show.
    The fair ones feel such maladies as these,
    When each new night-dress gives a new disease.

    A constant vapour o'er the palace flies;
    Strange phantoms, rising as the mists arise;
    Dreadful, as hermit's dreams in haunted shades,
    Or bright, as visions of expiring maids.
    Now glaring fiends, and snakes on rolling spires,
    Pale spectres, gaping tombs, and purple fires:
    Now lakes of liquid gold, Elysian scenes,
    And crystal domes, and angels in machines.

    Unnumber'd throngs on ev'ry side are seen,
    Of bodies chang'd to various forms by Spleen.
    Here living teapots stand, one arm held out,
    One bent; the handle this, and that the spout:
    A pipkin there, like Homer's tripod walks;
    Here sighs a jar, and there a goose pie talks;
    Men prove with child, as pow'rful fancy works,
    And maids turn'd bottles, call aloud for corks.

    Safe pass'd the Gnome through this fantastic band,
    A branch of healing spleenwort in his hand.
    Then thus address'd the pow'r: "Hail, wayward Queen!
    Who rule the sex to fifty from fifteen:
    Parent of vapours and of female wit,
    Who give th' hysteric, or poetic fit,
    On various tempers act by various ways,
    Make some take physic, others scribble plays;
    Who cause the proud their visits to delay,
    And send the godly in a pet to pray.
    A nymph there is, that all thy pow'r disdains,
    And thousands more in equal mirth maintains.
    But oh! if e'er thy gnome could spoil a grace,
    Or raise a pimple on a beauteous face,
    Like citron waters matrons' cheeks inflame,
    Or change complexions at a losing game;
    If e'er with airy horns I planted heads,
    Or rumpled petticoats, or tumbled beds,
    Or caus'd suspicion when no soul was rude,
    Or discompos'd the head-dress of a prude,
    Or e'er to costive lap-dog gave disease,
    Which not the tears of brightest eyes could ease:
    Hear me, and touch Belinda with chagrin;
    That single act gives half the world the spleen."

    The goddess with a discontented air
    Seems to reject him, though she grants his pray'r.
    A wondrous bag with both her hands she binds,
    Like that where once Ulysses held the winds;
    There she collects the force of female lungs,
    Sighs, sobs, and passions, and the war of tongues.
    A vial next she fills with fainting fears,
    Soft sorrows, melting griefs, and flowing tears.
    The Gnome rejoicing bears her gifts away,
    Spreads his black wings, and slowly mounts to day.

    Sunk in Thalestris' arms the nymph he found,
    Her eyes dejected and her hair unbound.
    Full o'er their heads the swelling bag he rent,
    And all the Furies issu'd at the vent.
    Belinda burns with more than mortal ire,
    And fierce Thalestris fans the rising fire.
    "Oh wretched maid!" she spread her hands, and cried,
    (While Hampton's echoes, "Wretched maid!" replied,
    "Was it for this you took such constant care
    The bodkin, comb, and essence to prepare?
    For this your locks in paper durance bound,
    For this with tort'ring irons wreath'd around?
    For this with fillets strain'd your tender head,
    And bravely bore the double loads of lead?
    Gods! shall the ravisher display your hair,
    While the fops envy, and the ladies stare!
    Honour forbid! at whose unrivall'd shrine
    Ease, pleasure, virtue, all, our sex resign.
    Methinks already I your tears survey,
    Already hear the horrid things they say,
    Already see you a degraded toast,
    And all your honour in a whisper lost!
    How shall I, then, your helpless fame defend?
    'Twill then be infamy to seem your friend!
    And shall this prize, th' inestimable prize,
    Expos'd through crystal to the gazing eyes,
    And heighten'd by the diamond's circling rays,
    On that rapacious hand for ever blaze?
    Sooner shall grass in Hyde Park Circus grow,
    And wits take lodgings in the sound of Bow;
    Sooner let earth, air, sea, to chaos fall,
    Men, monkeys, lap-dogs, parrots, perish all!"

    She said; then raging to Sir Plume repairs,
    And bids her beau demand the precious hairs:
    (Sir Plume, of amber snuff-box justly vain,
    And the nice conduct of a clouded cane)
    With earnest eyes, and round unthinking face,
    He first the snuffbox open'd, then the case,
    And thus broke out--"My Lord, why, what the devil?
    Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil!
    Plague on't! 'tis past a jest--nay prithee, pox!
    Give her the hair"--he spoke, and rapp'd his box.

    "It grieves me much," replied the peer again,
    "Who speaks so well should ever speak in vain.
    But by this lock, this sacred lock I swear,
    (Which never more shall join its parted hair;
    Which never more its honours shall renew,
    Clipp'd from the lovely head where late it grew)
    That while my nostrils draw the vital air,
    This hand, which won it, shall for ever wear."
    He spoke, and speaking, in proud triumph spread
    The long-contended honours of her head.

    But Umbriel, hateful gnome! forbears not so;
    He breaks the vial whence the sorrows flow.
    Then see! the nymph in beauteous grief appears,
    Her eyes half-languishing, half-drown'd in tears;
    On her heav'd bosom hung her drooping head,
    Which, with a sigh, she rais'd; and thus she said:

    "For ever curs'd be this detested day,
    Which snatch'd my best, my fav'rite curl away!
    Happy! ah ten times happy, had I been,
    If Hampton Court these eyes had never seen!
    Yet am not I the first mistaken maid,
    By love of courts to num'rous ills betray'd.
    Oh had I rather unadmir'd remain'd
    In some lone isle, or distant northern land;
    Where the gilt chariot never marks the way,
    Where none learn ombre, none e'er taste bohea!
    There kept my charms conceal'd from mortal eye,
    Like roses, that in deserts bloom and die.
    What mov'd my mind with youthful lords to roam?
    Oh had I stay'd, and said my pray'rs at home!
    'Twas this, the morning omens seem'd to tell,
    Thrice from my trembling hand the patch-box fell;
    The tott'ring china shook without a wind,
    Nay, Poll sat mute, and Shock was most unkind!
    A Sylph too warn'd me of the threats of fate,
    In mystic visions, now believ'd too late!
    See the poor remnants of these slighted hairs!
    My hands shall rend what ev'n thy rapine spares:
    These, in two sable ringlets taught to break,
    Once gave new beauties to the snowy neck.
    The sister-lock now sits uncouth, alone,
    And in its fellow's fate foresees its own;
    Uncurl'd it hangs, the fatal shears demands
    And tempts once more thy sacrilegious hands.
    Oh hadst thou, cruel! been content to seize
    Hairs less in sight, or any hairs but these!"

  11. The Rape of the Lock

    by ALEXANDER POPE

    Part 1

    What dire Offence from am'rous Causes springs,
    What mighty Contests rise from trivial Things,
    I sing -- This Verse to C---, Muse! is due;
    This, ev'n Belinda may vouchfafe to view:
    Slight is the Subject, but not so the Praise,
    If She inspire, and He approve my Lays.
    Say what strange Motive, Goddess! cou'd compel
    A well-bred Lord t'assault a gentle Belle?
    Oh say what stranger Cause, yet unexplor'd,
    Cou'd make a gentle Belle reject a Lord?
    And dwells such Rage in softest Bosoms then?
    And lodge such daring Souls in Little Men?

    Sol thro' white Curtains shot a tim'rous Ray,
    And op'd those Eyes that must eclipse the Day;
    Now Lapdogs give themselves the rowzing Shake,
    And sleepless Lovers, just at Twelve, awake:
    Thrice rung the Bell, the Slipper knock'd the Ground,
    And the press'd Watch return'd a silver Sound.
    Belinda still her downy Pillow prest,
    Her Guardian Sylph prolong'd the balmy Rest.
    'Twas he had summon'd to her silent Bed
    The Morning-Dream that hover'd o'er her Head.
    A Youth more glitt'ring than a Birth-night Beau,
    (That ev'n in Slumber caus'd her Cheek to glow)
    Seem'd to her Ear his winning Lips to lay,
    And thus in Whispers said, or seem'd to say.

    Fairest of Mortals, thou distinguish'd Care
    Of thousand bright Inhabitants of Air!
    If e'er one Vision touch'd thy infant Thought,
    Of all the Nurse and all the Priest have taught,
    Of airy Elves by Moonlight Shadows seen,
    The silver Token, and the circled Green,
    Or Virgins visited by Angel-Pow'rs,
    With Golden Crowns and Wreaths of heav'nly Flowers,
    Hear and believe! thy own Importance know,
    Nor bound thy narrow Views to Things below.
    Some secret Truths from Learned Pride conceal'd,
    To Maids alone and Children are reveal'd:
    What tho' no Credit doubting Wits may give?
    The Fair and Innocent shall still believe.
    Know then, unnumbered Spirits round thee fly,
    The light Militia of the lower Sky;
    These, tho' unseen, are ever on the Wing,
    Hang o'er the Box, and hover round the Ring.
    Think what an Equipage thou hast in Air,
    And view with scorn Two Pages and a Chair.
    As now your own, our Beings were of old,
    And once inclos'd in Woman's beauteous Mold;
    Thence, by a soft Transition, we repair
    From earthly Vehicles to these of Air.
    Think not, when Woman's transient Breath is fled,
    That all her Vanities at once are dead:
    Succeeding Vanities she still regards,
    And tho' she plays no more, o'erlooks the Cards.
    Her Joy in gilded Chariots, when alive,
    And Love of Ombre, after Death survive.
    For when the Fair in all their Pride expire,
    To their first Elements the Souls retire:
    The Sprights of fiery Termagants in Flame
    Mount up, and take a Salamander's Name.
    Soft yielding Minds to Water glide away,
    And sip with Nymphs, their Elemental Tea.
    The graver Prude sinks downward to a Gnome,
    In search of Mischief still on Earth to roam.
    The light Coquettes in Sylphs aloft repair,
    And sport and flutter in the Fields of Air.

    Know farther yet; Whoever fair and chaste
    Rejects Mankind, is by some Sylph embrac'd:
    For Spirits, freed from mortal Laws, with ease
    Assume what Sexes and what Shapes they please.
    What guards the Purity of melting Maids,
    In Courtly Balls, and Midnight Masquerades,
    Safe from the treach'rous Friend, and daring Spark,
    The Glance by Day, the Whisper in the Dark;
    When kind Occasion prompts their warm Desires,
    When Musick softens, and when Dancing fires?
    'Tis but their Sylph, the wise Celestials know,
    Tho' Honour is the Word with Men below.

    Some Nymphs there are, too conscious of their Face,
    For Life predestin'd to the Gnomes Embrace.
    These swell their Prospects and exalt their Pride,
    When Offers are disdain'd, and Love deny'd.
    Then gay Ideas crowd the vacant Brain;
    While Peers and Dukes, and all their sweeping Train,
    And Garters, Stars, and Coronets appear,
    And in soft Sounds, Your Grace salutes their Ear.
    'Tis these that early taint the Female Soul,
    Instruct the Eyes of young Coquettes to roll,
    Teach Infants Cheeks a bidden Blush to know,
    And little Hearts to flutter at a Beau.

    Oft when the World imagine Women stray,
    The Sylphs thro' mystick Mazes guide their Way,
    Thro' all the giddy Circle they pursue,
    And old Impertinence expel by new.
    What tender Maid but must a Victim fall
    To one Man's Treat, but for another's Ball?
    When Florio speaks, what Virgin could withstand,
    If gentle Damon did not squeeze her Hand?
    With varying Vanities, from ev'ry Part,
    They shift the moving Toyshop of their Heart;
    Where Wigs with Wigs, with Sword-knots Sword-knots strive,
    Beaus banish Beaus, and Coaches Coaches drive.
    This erring Mortals Levity may call,
    Oh blind to Truth! the Sylphs contrive it all.

    Of these am I, who thy Protection claim,
    A watchful Sprite, and Ariel is my Name.
    Late, as I rang'd the Crystal Wilds of Air,
    In the clear Mirror of thy ruling Star
    I saw, alas! some dread Event impend,
    E're to the Main this Morning Sun descend.
    But Heav'n reveals not what, or how, or where:
    Warn'd by thy Sylph, oh Pious Maid beware!
    This to disclose is all thy Guardian can.
    Beware of all, but most beware of Man!

    He said; when Shock, who thought she slept too long,
    Leapt up, and wak'd his Mistress with his Tongue.
    'Twas then Belinda, if Report say true,
    Thy Eyes first open'd on a Billet-doux.
    Wounds, Charms, and Ardors, were no sooner read,
    But all the Vision vanish'd from thy Head.

    And now, unveil'd, the Toilet stands display'd,
    Each Silver Vase in mystic Order laid.
    First, rob'd in White, the Nymph intent adores
    With Head uncover'd, the cosmetic Pow'rs.
    A heav'nly Image in the Glass appears,
    To that she bends, to that her Eyes she rears;
    Th' inferior Priestess, at her Altar's side,
    Trembling, begins the sacred Rites of Pride.
    Unnumber'd Treasures ope at once, and here
    The various Off'rings of the World appear;
    From each she nicely culls with curious Toil,
    And decks the Goddess with the glitt'ring Spoil.
    This Casket India's glowing Gems unlocks,
    And all Arabia breathes from yonder Box.

    The Tortoise here and Elephant unite,
    Transform'd to Combs, the speckled and the white.
    Here Files of Pins extend their shining Rows,
    Puffs, Powders, Patches, Bibles, Billet-doux.
    Now awful Beauty puts on all its Arms;
    The Fair each moment rises in her Charms,
    Repairs her Smiles, awakens ev'ry Grace,
    And calls forth all the Wonders of her Face;
    Sees by Degrees a purer Blush arise,
    And keener Lightnings quicken in her Eyes.
    The busy Sylphs surround their darling Care;
    These set the Head, and those divide the Hair,
    Some fold the Sleeve, while others plait the Gown;
    And Betty's prais'd for Labours not her own.


    Part 2

    NOT with more Glories, in th' Etherial Plain,
    The Sun first rises o'er the purpled Main,
    Than issuing forth, the Rival of his Beams
    Lanch'd on the Bosom of the Silver Thames.
    Fair Nymphs, and well-drest Youths around her shone,
    But ev'ry Eye was fix'd on her alone.
    On her white Breast a sparkling Cross she wore,
    Which Jews might kiss, and Infidels adore.
    Her lively Looks a sprightly Mind disclose,
    Quick as her Eyes, and as unfix'd as those:
    Favours to none, to all she Smiles extends,
    Oft she rejects, but never once offends.
    Bright as the Sun, her Eyes the Gazers strike,
    And, like the sun, they shine on all alike.
    Yet graceful Ease, and Sweetness void of Pride,
    Might hide her Faults, if Belles had faults to hide:
    If to her share some Female Errors fall,
    Look on her Face, and you'll forget 'em all.

    This Nymph, to the Destruction of Mankind,
    Nourish'd two Locks, which graceful hung behind
    In equal Curls, and well conspir'd to deck
    With shining Ringlets her smooth Iv'ry Neck.
    Love in these Labyrinths his Slaves detains,
    And mighty Hearts are held in slender Chains.
    With hairy Sprindges we the Birds betray,
    Slight Lines of Hair surprize the Finny Prey,
    Fair Tresses Man's Imperial Race insnare,
    And Beauty draws us with a single Hair.

    Th' Adventrous Baron the bright Locks admir'd,
    He saw, he wish'd, and to the Prize aspir'd:
    Resolv'd to win, he meditates the way,
    By Force to ravish, or by Fraud betray;
    For when Success a Lover's Toil attends,
    Few ask, if Fraud or Force attain'd his Ends.

    For this, e're Phoebus rose, he had implor'd
    Propitious Heav'n, and ev'ry Pow'r ador'd,
    But chiefly Love--to Love an Altar built,
    Of twelve vast French Romances, neatly gilt.
    There lay three Garters, half a Pair of Gloves;
    And all the Trophies of his former Loves.
    With tender Billet-doux he lights the Pyre,
    And breathes three am'rous Sighs to raise the Fire.
    Then prostrate falls, and begs with ardent Eyes
    Soon to obtain, and long possess the Prize:
    The Pow'rs gave Ear, and granted half his Pray'r,
    The rest, the Winds dispers'd in empty Air.

    But now secure the painted Vessel glides,
    The Sun-beams trembling on the floating Tydes,
    While melting Musick steals upon the Sky,
    And soften'd Sounds along the Waters die.
    Smooth flow the Waves, the Zephyrs gently play
    Belinda smil'd, and all the World was gay.
    All but the Sylph---With careful Thoughts opprest,
    Th' impending Woe sate heavy on his Breast.
    He summons strait his Denizens of Air;
    The lucid Squadrons round the Sails repair:
    Soft o'er the Shrouds Aerial Whispers breathe,
    That seem'd but Zephyrs to the Train beneath.
    Some to the Sun their Insect-Wings unfold,
    Waft on the Breeze, or sink in Clouds of Gold.
    Transparent Forms, too fine for mortal Sight,
    Their fluid Bodies half dissolv'd in Light.
    Loose to the Wind their airy Garments flew,
    Thin glitt'ring Textures of the filmy Dew;
    Dipt in the richest Tincture of the Skies,
    Where Light disports in ever-mingling Dies,
    While ev'ry Beam new transient Colours flings,
    Colours that change whene'er they wave their Wings.
    Amid the Circle, on the gilded Mast,
    Superior by the Head, was Ariel plac'd;
    His Purple Pinions opening to the Sun,
    He rais'd his Azure Wand, and thus begun.

    Ye Sylphs and Sylphids, to your Chief give Ear,
    Fays, Fairies, Genii, Elves, and Daemons hear!
    Ye know the Spheres and various Tasks assign'd,
    By Laws Eternal, to th' Aerial Kind.
    Some in the Fields of purest AEther play,
    And bask and whiten in the Blaze of Day.
    Some guide the Course of wandring Orbs on high,
    Or roll the Planets thro' the boundless Sky.
    Some less refin'd, beneath the Moon's pale Light
    Hover, and catch the shooting stars by Night;
    Or suck the Mists in grosser Air below,
    Or dip their Pinions in the painted Bow,
    Or brew fierce Tempests on the wintry Main,
    Or o'er the Glebe distill the kindly Rain.
    Others on Earth o'er human Race preside,
    Watch all their Ways, and all their Actions guide:
    Of these the Chief the Care of Nations own,
    And guard with Arms Divine the British Throne.

    Our humbler Province is to tend the Fair,
    Not a less pleasing, tho' less glorious Care.
    To save the Powder from too rude a Gale,
    Nor let th' imprison'd Essences exhale,
    To draw fresh Colours from the vernal Flow'rs,
    To steal from Rainbows ere they drop in Show'rs
    A brighter Wash; to curl their waving Hairs,
    Assist their Blushes, and inspire their Airs;
    Nay oft, in Dreams, Invention we bestow,
    To change a Flounce, or add a Furbelo.

    This Day, black Omens threat the brightest Fair
    That e'er deserv'd a watchful Spirit's Care;
    Some dire Disaster, or by Force, or Slight,
    But what, or where, the Fates have wrapt in Night.
    Whether the Nymph shall break Diana's Law,
    Or some frail China Jar receive a Flaw,
    Or stain her Honour, or her new Brocade,
    Forget her Pray'rs, or miss a Masquerade,
    Or lose her Heart, or Necklace, at a Ball;
    Or whether Heav'n has doom'd that Shock must fall.
    Haste then ye Spirits! to your Charge repair;
    The flutt'ring Fan be Zephyretta's Care;
    The Drops to thee, Brillante, we consign;
    And Momentilla, let the Watch be thine;
    Do thou, Crispissa, tend her fav'rite Lock;
    Ariel himself shall be the Guard of Shock.

    To Fifty chosen Sylphs, of special Note,
    We trust th' important Charge, the Petticoat.
    Oft have we known that sev'nfold Fence to fail;
    Tho' stiff with Hoops, and arm'd with Ribs of Whale.
    Form a strong Line about the Silver Bound,
    And guard the wide Circumference around.

    Whatever spirit, careless of his Charge,
    His Post neglects, or leaves the Fair at large,
    Shall feel sharp Vengeance soon o'ertake his Sins,
    Be stopt in Vials, or transfixt with Pins.
    Or plung'd in Lakes of bitter Washes lie,
    Or wedg'd whole Ages in a Bodkin's Eye:
    Gums and Pomatums shall his Flight restrain,
    While clog'd he beats his silken Wings in vain;
    Or Alom-Stypticks with contracting Power
    Shrink his thin Essence like a rivell'd Flower.
    Or as Ixion fix'd, the Wretch shall feel
    The giddy Motion of the whirling Mill,
    In Fumes of burning Chocolate shall glow,
    And tremble at the Sea that froaths below!

    He spoke; the Spirits from the Sails descend;
    Some, Orb in Orb, around the Nymph extend,
    Some thrid the mazy Ringlets of her Hair,
    Some hang upon the Pendants of her Ear;
    With beating Hearts the dire Event they wait,
    Anxious, and trembling for the Birth of Fate.


    Part 3

    CLOSE by those Meads for ever crown'd with Flow'rs,
    Where Thames with Pride surveys his rising Tow'rs,
    There stands a Structure of Majestick Frame,
    Which from the neighb'ring Hampton takes its Name.
    Here Britain's Statesmen oft the Fall foredoom
    Of Foreign Tyrants, and of Nymphs at home;
    Here Thou, great Anna! whom three Realms obey,
    Dost sometimes Counsel take--and sometimes Tea.
    Hither the Heroes and the Nymphs resort,
    To taste awhile the Pleasures of a Court;
    In various Talk th' instructive hours they past,
    Who gave the Ball, or paid the Visit last:
    One speaks the Glory of the British Queen,
    And one describes a charming Indian Screen.
    A third interprets Motions, Looks, and Eyes;
    At ev'ry Word a Reputation dies.
    Snuff, or the Fan, supply each Pause of Chat,
    With singing, laughing, ogling, and all that.

    Mean while declining from the Noon of Day,
    The Sun obliquely shoots his burning Ray;
    The hungry Judges soon the Sentence sign,
    And Wretches hang that Jury-men may Dine;
    The Merchant from th'exchange returns in Peace,
    And the long Labours of the Toilette cease ----
    Belinda now, whom Thirst of Fame invites,
    Burns to encounter two adventrous Knights,
    At Ombre singly to decide their Doom;
    And swells her Breast with Conquests yet to come.
    Strait the three Bands prepare in Arms to join,
    Each Band the number of the Sacred Nine.
    Soon as she spreads her Hand, th' Aerial Guard
    Descend, and sit on each important Card,
    First Ariel perch'd upon a Matadore,
    Then each, according to the Rank they bore;
    For Sylphs, yet mindful of their ancient Race,
    Are, as when Women, wondrous fond of place.

    Behold, four Kings in Majesty rever'd,
    With hoary Whiskers and a forky Beard;
    And four fair Queens whose hands sustain a Flow'r,
    Th' expressive Emblem of their softer Pow'r;
    Four Knaves in Garbs succinct, a trusty Band,
    Caps on their heads, and Halberds in their hand;
    And Particolour'd Troops, a shining Train,
    Draw forth to Combat on the Velvet Plain.

    The skilful Nymph reviews her Force with Care;
    Let Spades be Trumps, she said, and Trumps they were.

    Now move to War her Sable Matadores,
    In Show like Leaders of the swarthy Moors.
    Spadillio first, unconquerable Lord!
    Led off two captive Trumps, and swept the Board.
    As many more Manillio forc'd to yield,
    And march'd a Victor from the verdant Field.
    Him Basto follow'd, but his Fate more hard
    Gain'd but one Trump and one Plebeian Card.
    With his broad Sabre next, a Chief in Years,
    The hoary Majesty of Spades appears;
    Puts forth one manly Leg, to sight reveal'd;
    The rest his many-colour'd Robe conceal'd.
    The Rebel-Knave, who dares his Prince engage,
    Proves the just Victim of his Royal Rage.
    Ev'n mighty Pam that Kings and Queens o'erthrow,
    And mow'd down Armies in the Fights of Lu,
    Sad Chance of War! now, destitute of Aid,
    Falls undistinguish'd by the Victor Spade.

    Thus far both Armies to Belinda yield;
    Now to the Baron Fate inclines the Field.
    His warlike Amazon her Host invades,
    Th' Imperial Consort of the Crown of Spades.
    The Club's black Tyrant first her Victim dy'd,
    Spite of his haughty Mien, and barb'rous Pride:
    What boots the Regal Circle on his Head,
    His Giant Limbs in State unwieldy spread?
    That long behind he trails his pompous Robe,
    And of all Monarchs only grasps the Globe?

    The Baron now his Diamonds pours apace;
    Th' embroider'd King who shows but half his Face,
    And his refulgent Queen, with Pow'rs combin'd,
    Of broken Troops an easie Conquest find.
    Clubs, Diamonds, Hearts, in wild Disorder seen,
    With Throngs promiscuous strow the level Green.
    Thus when dispers'd a routed Army runs,
    Of Asia's Troops, and Africk's Sable Sons,
    With like Confusion different Nations fly,
    In various habits and of various Dye,
    The pierc'd Battalions dis-united fall,
    In Heaps on Heaps; one Fate o'erwhelms them all.

    The Knave of Diamonds now tries his wily Arts,
    And wins (oh shameful Chance!) the Queen of Hearts.
    At this, the Blood the Virgin's Cheek forsook,
    A livid Paleness spreads o'er all her Look;
    She sees, and trembles at th' approaching Ill,
    Just in the Jaws of Ruin, and Codille.
    And now, (as oft in some distemper'd State)
    On one nice Trick depends the gen'ral Fate.
    An Ace of Hearts steps forth: The King unseen
    Lurk'd in her Hand, and mourn'd his captive Queen.
    He springs to Vengeance with an eager pace,
    And falls like Thunder on the prostrate Ace.
    The Nymph exulting fills with Shouts the Sky,
    The Walls, the Woods, and long Canals reply.

    Oh thoughtless Mortals! ever blind to Fate,
    Too soon dejected, and too soon elate!
    Sudden these Honours shall be snatch'd away,
    And curs'd for ever this Victorious Day.

    For lo! the Board with Cups and Spoons is crown'd,
    The Berries crackle, and the Mill turns round.
    On shining Altars of Japan they raise
    The silver Lamp; the fiery Spirits blaze.
    From silver Spouts the grateful Liquors glide,
    And China's Earth receives the smoking Tyde.
    At once they gratify their Scent and Taste,
    While frequent Cups prolong the rich Repast.
    Strait hover round the Fair her Airy Band;
    Some, as she sip'd, the fuming Liquor fann'd,
    Some o'er her Lap their careful Plumes display'd,
    Trembling, and conscious of the rich Brocade.
    Coffee, (which makes the Politician wise,
    And see thro' all things with his half shut Eyes)
    Sent up in Vapours to the Baron's Brain
    New Stratagems, the radiant Lock to gain.
    Ah cease rash Youth! desist e'er 'tis too late,
    Fear the just Gods, and think of Scylla's Fate!
    Chang'd to a Bird, and sent to flit in Air,
    She dearly pays for Nisus' injur'd Hair!

    But when to Mischief Mortals bend their Will,
    How soon they find fit Instruments of Ill!
    Just then, Clarissa drew with tempting Grace
    A two-edg'd Weapon from her shining Case;
    So Ladies in Romance assist their Knight,
    Present the Spear, and arm him for the Fight.
    He takes the Gift with rev'rence, and extends
    The little Engine on his Finger's Ends:
    This just behind Belinda's Neck he spread,
    As o'er the fragrant Steams she bends her Head:
    Swift to the Lock a thousand Sprights repair,
    A thousand Wings, by turns, blow back the Hair,
    And thrice they twitch'd the Diamond in her Ear,
    Thrice she look'd back, and thrice the Foe drew near.
    Just in that instant, anxious Ariel sought
    The close Recesses of the Virgin's Thought;
    As on the Nosegay in her Breast reclin'd,
    He watch'd th' Ideas rising in her Mind,
    Sudden he view'd, in spite of all her Art,
    An Earthly Lover lurking at her Heart.
    Amaz'd, confus'd, he found his Pow'r expir'd,
    Resign'd to Fate, and with a Sigh retir'd.

    The Peer now spreads the glitt'ring Forfex wide,
    T'inclose the Lock; now joins it, to divide.
    Ev'n then, before the fatal Engine clos'd,
    A wretched Sylph too fondly interpos'd;
    Fate urg'd the Sheers, and cut the Sylph in twain,
    (But Airy Substance soon unites again)
    The meeting Points that sacred Hair dissever
    From the fair Head, for ever and for ever!

    Then flash'd the living Lightnings from her Eyes,
    And Screams of Horror rend th' affrighted Skies.
    Not louder Shrieks to pitying Heav'n are cast,
    When Husbands or when Lap-dogs breath their last,
    Or when rich China Vessels, fal'n from high,
    In glittring Dust and painted Fragments lie!

    Let Wreaths of Triumph now my Temples twine,
    (The Victor cry'd) the glorious Prize is mine!
    While Fish in Streams, or Birds delight in Air,
    Or in a Coach and Six the British Fair,
    As long as Atalantis shall be read,
    Or the small Pillow grace a Lady's Bed,
    While Visits shall be paid on solemn Days,
    When numerous Wax-lights in bright Order blaze,
    While Nymphs take Treats, or Assignations give,
    So long my Honour, Name, and Praise shall live!

    What Time wou'd spare, from Steel receives its date,
    And Monuments, like Men, submit to Fate!
    Steel cou'd the Labour of the Gods destroy,
    And strike to Dust th' Imperial Tow'rs of Troy.
    Steel cou'd the Works of mortal Pride confound,
    And hew Triumphal Arches to the Ground.
    What Wonder then, fair Nymph! thy Hairs shou'd feel
    The conqu'ring Force of unresisted Steel?


    Part 4

    BUT anxious Cares the pensive Nymph opprest,
    And secret Passions labour'd in her Breast.
    Not youthful Kings in Battel seiz'd alive,
    Not scornful Virgins who their Charms survive,
    Not ardent Lovers robb'd of all their Bliss,
    Not ancient Ladies when refus'd a Kiss,
    Not Tyrants fierce that unrepenting die,
    Not Cynthia when her Manteau's pinn'd awry,
    E'er felt such Rage, Resentment and Despair,
    As Thou, sad Virgin! for thy ravish'd Hair.

    For, that sad moment, when the Sylphs withdrew,
    And Ariel weeping from Belinda flew,
    Umbriel, a dusky melancholy Spright,
    As ever sully'd the fair face of Light,
    Down to the Central Earth, his proper Scene,
    Repairs to search the gloomy Cave of Spleen.

    Swift on his sooty Pinions flitts the Gnome,
    And in a Vapour reach'd the dismal Dome.
    No cheerful Breeze this sullen Region knows,
    The dreaded East is all the Wind that blows.
    Here, in a Grotto, sheltred close from Air,
    And screen'd in Shades from Day's detested Glare,
    She sighs for ever on her pensive Bed,
    Pain at her side, and Megrim at her Head.

    Two Handmaids wait the Throne: Alike in Place,
    But diff'ring far in Figure and in Face.
    Here stood Ill-nature like an ancient Maid,
    Her wrinkled Form in Black and White array'd;
    With store of Pray'rs, for Mornings, Nights, and Noons,
    Her Hand is fill'd; her Bosom with Lampoons.

    There Affectation with a sickly Mien
    Shows in her Cheek the Roses of Eighteen,
    Practis'd to Lisp, and hang the Head aside,
    Faints into Airs, and languishes with Pride;
    On the rich Quilt sinks with becoming Woe,
    Wrapt in a Gown, for Sickness, and for Show.
    The Fair ones feel such Maladies as these,
    When each new Night-Dress gives a new Disease.

    A constant Vapour o'er the Palace flies;
    Strange Phantoms rising as the Mists arise;
    Dreadful, as Hermit's Dreams in haunted Shades,
    Or bright as Visions of expiring Maids.
    Now glaring Fiends, and Snakes on rolling Spires,
    Pale Spectres, gaping Tombs, and Purple Fires:
    Now Lakes of liquid Gold, Elysian Scenes,
    And Crystal Domes, and Angels in Machines.

    Unnumber'd Throngs on ev'ry side are seen
    Of Bodies chang'd to various Forms by Spleen.
    Here living Teapots stand, one Arm held out,
    One bent; the Handle this, and that the Spout:
    A Pipkin there like Homer's Tripod walks;
    Here sighs a Jar, and there a Goose Pie talks;
    Men prove with Child, as pow'rful Fancy works,
    And Maids turn'd Bottels, call aloud for Corks.

    Safe past the Gnome thro' this fantastick Band,
    A Branch of healing Spleenwort in his hand.
    Then thus addrest the Pow'r--Hail wayward Queen!
    Who rule the Sex to Fifty from Fifteen,
    Parent of Vapors and of Female Wit,
    Who give th' Hysteric or Poetic Fit,
    On various Tempers act by various ways,
    Make some take Physick, others scribble Plays;
    Who cause the Proud their Visits to delay,
    And send the Godly in a Pett, to pray.
    A Nymph there is, that all thy Pow'r disdains,
    And thousands more in equal Mirth maintains.
    But oh! if e'er thy Gnome could spoil a Grace,
    Or raise a Pimple on a beauteous Face,
    Like Citron-Waters Matron's Cheeks inflame,
    Or change Complexions at a losing Game;
    If e'er with airy Horns I planted Heads,
    Or rumpled Petticoats, or tumbled Beds,
    Or caus'd Suspicion when no Soul was rude,
    Or discompos'd the Head-dress of a Prude,
    Or e'er to costive Lap-Dog gave Disease,
    Which not the Tears of brightest Eyes could ease:
    Hear me, and touch Belinda with Chagrin;
    That single Act gives half the World the Spleen.

    The Goddess with a discontented Air
    Seems to reject him, tho' she grants his Pray'r.
    A wondrous Bag with both her Hands she binds,
    Like that where once Ulysses held the Winds;
    There she collects the Force of Female Lungs,
    Sighs, Sobs, and Passions, and the War of Tongues.
    A Vial next she fills with fainting Fears,
    Soft Sorrows, melting Griefs, and flowing Tears.
    The Gnome rejoicing bears her Gift away,
    Spreads his black Wings, and slowly mounts to Day.

    Sunk in Thalestris' Arms the Nymph he found,
    Her Eyes dejected and her Hair unbound.
    Full o'er their Heads the swelling Bag he rent,
    And all the Furies issued at the Vent.
    Belinda burns with more than mortal Ire,
    And fierce Thalestris fans the rising Fire.
    O wretched Maid! she spread her hands, and cry'd,
    (While Hampton's Ecchos, wretched Maid reply'd)
    Was it for this you took such constant Care
    The Bodkin, Comb, and Essence to prepare;
    For this your Locks in Paper-Durance bound,
    For this with tort'ring Irons wreath'd around?
    For this with Fillets strain'd your tender Head,
    And bravely bore the double Loads of Lead?
    Gods! shall the Ravisher display your Hair,
    While the Fops envy, and the Ladies stare!
    Honour forbid! at whose unrival'd Shrine
    Ease, Pleasure, Virtue, All, our Sex resign.
    Methinks already I your Tears survey,
    Already hear the horrid things they say,
    Already see you a degraded Toast,
    And all your Honour in a Whisper lost!
    How shall I, then, your helpless Fame defend?
    'Twill then be Infamy to seem your Friend!
    And shall this Prize, th' inestimable Prize,
    Expos'd thro' Crystal to the gazing Eyes,
    And heighten'd by the Diamond's circling Rays,
    On that Rapacious Hand for ever blaze?
    Sooner shall Grass in Hide Park Circus grow,
    And Wits take Lodgings in the Sound of Bow;
    Sooner let Earth, Air, Sea, to Chaos fall,
    Men, Monkies, Lap-dogs, Parrots, perish all!

    She said; then raging to Sir Plume repairs,
    And bids her Beau demand the precious Hairs:
    (Sir Plume, of Amber Snuff-box justly vain,
    And the nice Conduct of a clouded Cane)
    With earnest Eyes, and round unthinking Face,
    He first the Snuff-box open'd, then the Case,
    And thus broke out--- "My Lord, why, what the Devil?
    "Z---ds! damn the Lock! 'fore Gad, you must be civil!
    "Plague on't! 'tis past a Jest---nay prithee, Pox!
    "Give her the Hair---he spoke, and rapp'd his Box.

    It grieves me much (reply'd the Peer again)
    Who speaks so well shou'd ever speak in vain.
    But by this Lock, this sacred Lock I swear,
    (Which never more shall join its parted Hair,
    Which never more its Honours shall renew,
    Clipt from the lovely Head where late it grew)
    That while my Nostrils draw the vital Air,
    This Hand, which won it, shall for ever wear.
    He spoke, and speaking, in proud Triumph spread
    The long-contended Honours of her Head.

    But Umbriel, hateful Gnome! forbears not so;
    He breaks the Vial whence the Sorrows flow.
    Then see! the Nymph in beauteous Grief appears,
    Her Eyes half languishing, half drown'd in Tears;
    On her heav'd Bosom hung her drooping Head,
    Which, with a Sigh, she rais'd; and thus she said.

    For ever curs'd be this detested Day,
    Which snatch'd my best, my fav'rite Curl away!
    Happy! ah ten times happy, had I been,
    If Hampton-Court these Eyes had never seen!
    Yet am not I the first mistaken Maid,
    By Love of Courts to num'rous Ills betray'd.
    Oh had I rather un-admir'd remain'd
    In some lone Isle, or distant Northern Land;
    Where the gilt Chariot never marks the way,
    Where none learn Ombre, none e'er taste Bohea!
    There kept my Charms conceal'd from mortal Eye,
    Like Roses that in Desarts bloom and die.
    What mov'd my Mind with youthful Lords to rome?
    O had I stay'd, and said my Pray'rs at home!
    'Twas this, the Morning Omens seem'd to tell;
    Thrice from my trembling hand the Patch-box fell;
    The tott'ring China shook without a Wind,
    Nay, Poll sate mute, and Shock was most Unkind!
    A Sylph too warn'd me of the Threats of Fate,
    In mystic Visions, now believ'd too late!
    See the poor Remnants of these slighted Hairs!
    My hands shall rend what ev'n thy Rapine spares:
    These, in two sable Ringlets taught to break,
    Once gave new Beauties to the snowie Neck.
    The Sister-Lock now sits uncouth, alone,
    And in its Fellow's Fate foresees its own;
    Uncurl'd it hangs, the fatal Sheers demands;
    And tempts once more thy sacrilegious Hands.
    Oh hadst thou, Cruel! been content to seize
    Hairs less in sight, or any Hairs but these!


    Part 5

    SHE said: the pitying Audience melt in Tears,
    But Fate and Jove had stopp'd the Baron's Ears.
    In vain Thalestris with Reproach assails,
    For who can move when fair Belinda fails?
    Not half to fixt the Trojan cou'd remain,
    While Anna begg'd and Dido rag'd in vain.
    Then grave Clarissa graceful wav'd her Fan;
    Silence ensu'd, and thus the Nymph began.

    Say, why are Beauties prais'd and honour'd most,
    The wise Man's Passion, and the vain Man's Toast?
    Why deck'd with all that Land and Sea afford,
    Why Angels call'd, and Angel-like ador'd?
    Why round our Coaches crowd the white-glov'd Beaus,
    Why bows the Side-box from its inmost Rows?
    How vain are all these Glories, all our Pains,
    Unless good Sense preserve what Beauty gains:
    That Men may say, when we the Front-box grace,
    Behold the first in Virtue, as in Face!
    Oh! if to dance all Night, and dress all Day,
    Charm'd the Small-pox, or chas'd old Age away;
    Who would not scorn what Huswife's Cares produce,
    Or who would learn one earthly Thing of Use?
    To patch, nay ogle, might become a Saint,
    Nor could it sure be such a Sin to paint.
    But since, alas! frail Beauty must decay,
    Curl'd or uncurl'd, since Locks will turn to grey,
    Since paint'd, or not paint'd, all shall fade,
    And she who scorns a Man, must die a Maid;
    What then remains, but well our Pow'r to use,
    And keep good Humour still whate'er we lose?
    And trust me, Dear! good Humour can prevail,
    When Airs, and Flights, and Screams, and Scolding fail.
    Beauties in vain their pretty Eyes may roll;
    Charms strike the Sight, but Merit wins the Soul.

    So spake the Dame, but no Applause ensu'd;
    Belinda frown'd, Thalestris call'd her Prude.
    To Arms, to Arms! the fierce Virago cries,
    And swift as Lightning to the Combate flies.
    All side in Parties, and begin th' Attack;
    Fans clap, Silks russle, and tough Whalebones crack;
    Heroes and Heroins Shouts confus'dly rise,
    And base, and treble Voices strike the Skies.
    No common Weapons in their Hands are found,
    Like Gods they fight, nor dread a mortal Wound.

    So when bold Homer makes the Gods engage,
    And heav'nly Breasts with human Passions rage;
    'Gainst Pallas, Mars; Latona, Hermes arms;
    And all Olympus rings with loud Alarms.
    Jove's Thunder roars, Heav'n trembles all around;
    Blue Neptune storms, the bellowing Deeps resound;
    Earth shakes her nodding Tow'rs, the Ground gives way;
    And the pale Ghosts start at the Flash of Day!

    Triumphant Umbriel on a Sconce's Height
    Clapt his glad Wings, and sate to view the Fight,
    Propt on their Bodkin Spears, the Sprights survey
    The growing Combat, or assist the Fray.

    While thro' the Press enrag'd Thalestris flies,
    And scatters Deaths around from both her Eyes,
    A Beau and Witling perish'd in the Throng,
    One dy'd in Metaphor, and one in Song.
    O cruel Nymph! a living Death I bear,
    Cry'd Dapperwit, and sunk beside his Chair.
    A mournful Glance Sir Fopling upwards cast,
    Those Eyes are made so killing---was his last:
    Thus on Meander's flow'ry Margin lies
    Th' expiring Swan, and as he sings he dies.

    When bold Sir Plume had drawn Clarissa down,
    Chloe stept in, and kill'd him with a Frown;
    She smil'd to see the doughty Hero slain,
    But at her Smile, the Beau reviv'd again.

    Now Jove suspends his golden Scales in Air,
    Weighs the Mens Wits against the Lady's Hair;
    The doubtful Beam long nods from side to side;
    At length the Wits mount up, the Hairs subside.

    See fierce Belinda on the Baron flies,
    With more than usual Lightning in her Eyes;
    Nor fear'd the Chief th' unequal Fight to try,
    Who sought no more than on his Foe to die.
    But this bold Lord, with manly Strength indu'd,
    She with one Finger and a Thumb subdu'd,
    Just where the Breath of Life his Nostrils drew,
    A Charge of Snuff the wily Virgin threw;
    The Gnomes direct, to ev'ry Atome just,
    The pungent Grains of titillating Dust.
    Sudden, with starting Tears each Eye o'erflows,
    And the high Dome re-ecchoes to his Nose.

    Now meet thy Fate, incens'd Belinda cry'd,
    And drew a deadly Bodkin from her Side.
    (The same, his ancient Personage to deck,
    Her great great Grandsire wore about his Neck
    In three Seal-Rings which after, melted down,
    Form'd a vast Buckle for his Widow's Gown:
    Her infant Grandame's Whistle next it grew,
    The Bells she gingled, and the Whistle blew;
    Then in a Bodkin grac'd her Mother's Hairs,
    Which long she wore, and now Belinda wears.)

    Boast not my Fall (he cry'd) insulting Foe!
    Thou by some other shalt be laid as low.
    Nor think, to die dejects my lofty Mind;
    All that I dread, is leaving you behind!
    Rather than so, ah let me still survive,
    And burn in Cupid's Flames,---but burn alive.

    Restore the Lock! she cries; and all around
    Restore the Lock! the vaulted Roofs rebound.
    Not fierce Othello in so loud a Strain
    Roar'd for the Handkerchief that caus'd his Pain.
    But see how oft Ambitious Aims are cross'd,
    And Chiefs contend 'till all the Prize is lost!
    The Lock, obtain'd with Guilt, and kept with Pain,
    In ev'ry place is sought, but sought in vain:
    With such a Prize no Mortal must be blest,
    So Heav'n decrees! with Heav'n who can contest?

    Some thought it mounted to the Lunar Sphere,
    Since all things lost on Earth, are treasur'd there.
    There Heroe's Wits are kept in pondrous Vases,
    And Beau's in Snuff-boxes and Tweezer-Cases.
    There broken Vows, and Death-bed Alms are found,
    And Lovers Hearts with Ends of Riband bound;
    The Courtiers Promises, and Sick Man's Pray'rs,
    The Smiles of Harlots, and the Tears of Heirs,
    Cages for Gnats, and Chains to Yoak a Flea;
    Dry'd Butterflies, and Tomes of Casuistry.

    But trust the Muse---she saw it upward rise,
    Tho' mark'd by none but quick Poetic Eyes:
    (So Rome's great Founder to the Heav'ns withdrew,
    To Proculus alone confess'd in view.)
    A sudden Star, it shot thro' liquid Air,
    And drew behind a radiant Trail of Hair.
    Not Berenice's Locks first rose so bright,
    The heav'ns bespangling with dishevel'd light.
    The Sylphs behold it kindling as it flies,
    And pleas'd pursue its Progress thro' the Skies.

    This the Beau-monde shall from the Mall survey,
    And hail with Musick its propitious Ray.
    This, the blest Lover shall for Venus take,
    And send up Vows from Rosamonda's Lake.
    This Partridge soon shall view in cloudless Skies,
    When next he looks thro' Galilaeo's Eyes;
    And hence th' Egregious Wizard shall foredoom
    The Fate of Louis, and the Fall of Rome.

    Then cease, bright Nymph! to mourn the ravish'd Hair
    Which adds new Glory to the shining Sphere!
    Not all the Tresses that fair Head can boast
    Shall draw such Envy as the Lock you lost.
    For, after all the Murders of your Eye,
    When, after Millions slain, your self shall die;
    When those fair Suns shall sett, as sett they must,
    And all those Tresses shall be laid in Dust;
    This Lock, the Muse shall consecrate to Fame,
    And mid'st the Stars inscribe Belinda's Name!

  12. Ode on St. Cecilia's Day

    BY ALEXANDER POPE

    I. Descend ye Nine! descend and sing; The breathing instruments inspire, Wake into voice each silent string, And sweep the sounding lyre! In a sadly-pleasing strain Let the warbling lute complain: Let the loud trumpet sound, 'Till the roofs all around The shrill echo's rebound: While in more lengthen'd notes and slow, The deep, majestic, solemn organs blow. Hark! the numbers, soft and clear, Gently steal upon the ear; Now louder, and yet louder rise, And fill with spreading sounds the skies; Exulting in triumph now swell the bold notes, In broken air, trembling, the wild music floats; 'Till, by degrees, remote and small, The strains decay, And melt away, In a dying, dying fall. II. By Music, minds an equal temper know, Nor swell too high, nor sink too low. If in the breast tumultuous joys arise, Music her soft, assuasive voice applies; Or when the soul is press'd with cares, Exalts her in enlivening airs. Warriors she fires with animated sounds; Pours balm into the bleeding lover's wounds: Melancholy lifts her head, Morpheus rouzes from his bed, Sloth unfolds her arms and wakes, List'ning Envy drops her snakes; Intestine war no more our Passions wage, And giddy Factions hear away their rage. III. But when our Country's cause provokes to Arms, How martial music ev'ry bosom warms! So when the first bold vessel dar'd the seas, High on the stern the Thracian rais'd his strain, While Argo saw her kindred trees Descend from Pelion to the main. Transported demi-gods stood round, And men grew heroes at the sound, Enflam'd with glory's charms: Each chief his sev'nfold shield display'd, And half unsheath'd the shining blade: And seas, and rocks, and skies rebound To arms, to arms, to arms! IV. But when thro' all th'infernal bounds Which flaming Phlegeton surrounds, Love, strong as Death, the Poet led To the pale nations of the dead, What sounds were heard, What scenes appear'd, O'er all the dreary coasts! Dreadful gleams, Dismal screams, Fires that glow, Shrieks of woe, Sullen moans, Hollow groans, And cries of tortur'd ghosts! But hark! he strikes the golden lyre; And see! the tortur'd ghosts respire, See, shady forms advance! Thy stone, O Sysiphus, stands still, Ixion rests upon his wheel, And the pale spectres dance! The Furies sink upon their iron beds, And snakes uncurl'd hang list'ning round their heads. V. By the streams that ever flow, By the fragrant winds that blow O'er th' Elysian flow'rs, By those happy souls who dwell In yellow meads of Asphodel, Or Amaranthine bow'rs, By the hero's armed shades, Glitt'ring thro' the gloomy glades, By the youths that dy'd for love, Wand'ring in the myrtle grove, Restore, restore Eurydice to life; Oh take the husband, or return the wife! He sung, and hell consented To hear the Poet's pray'r; Stern Proserpine relented, And gave him back the fair. Thus song could prevail O'er death and o'er hell, A conquest how hard and how glorious? Tho' fate had fast bound her With Styx nine times round her, Yet music and love were victorious. VI. But soon, too soon, the lover turns his eyes: Again she falls, again she dies, she dies! How wilt thou now the fatal sisters move? No crime was thine, if 'tis no crime to love. Now under hanging mountains, Beside the falls of fountains, Or where Hebrus wanders, Rolling in Maeanders, All alone, Unheard, unknown, He makes his moan; And calls her ghost, For ever, ever, ever lost! Now with Furies surrounded, Despairing, confounded, He trembles, he glows, Amidst Rhodope's snows: See, wild as the winds, o'er the desart he flies; Hark! Haemus resounds with the Bacchanals cries - - Ah see, he dies! Yet ev'n in death Eurydice he sung, Eurydice still trembled on his tongue, Eurydice the woods, Eurydice the floods, Eurydice the rocks, and hollow mountains rung. VII. Music the fiercest grief can charm, And fate's severest rage disarm: Music can soften pain to ease, And make despair and madness please: Our joys below it can improve, And antedate the bliss above. This the divine Cecilia found, And to her Maker's praise confin'd the sound. When the full organ joins the tuneful quire, Th'immortal pow'rs incline their ear; Borne on the swelling notes our souls aspire, While solemn airs improve the sacred fire; And Angels lean from heav'n to hear. Of Orpheus now no more let Poets tell, To bright Cecilia greater pow'r is giv'n; His numbers rais'd a shade from hell, Hers lift the soul to heav'n

  13. CHORUS OF ATHENIANS

    BY ALEXANDER POPE

    Strophe I. Ye shades, where sacred truth is sought; Groves, where immortal Sages taught; Where heav'nly visions of Plato fir'd, And Epicurus lay inspir'd! In vain your guiltless laurels stood Unspotted long with human blood. War, horrid war, your thoughtful walks invades, And steel now glitters in the Muses' shades. Antistrophe I. Oh heav'n-born sisters! source of art! Who charm the sense, or mend the heart; Who lead fair Virtue's train along, Moral Truth, and mystic Song! To what new clime, what distant sky, Forsaken, friendless, shall ye fly? Say, will you bless the bleak Atlantic shore? Or bid the furious Gaul be rude no more? Strophe II. When Athens sinks by fates unjust, When wild Barbarians spurn her dust; Perhaps ev'n Britain's utmost shore, Shall cease to blush with strager's gore. See Arts her savage sons control, And Athens rising near the pole! 'Till some new Tyrant lifts his purple hand, And civil madness tears them from this land. Antistrophe II. Ye Gods! what justice rules the ball? Freedom and Arts together fall; Fools grant whate'er Ambition craves, And men, once ignorant, are slaves. Oh curs'd effects of civil hate, In ev'ry age, in ev'ry state! Still, when the lust of tyrant power succeeds, Some Athens perishes, some Tully bleeds.

  14. ON A CERTAIN LADY AT COURT

    BY ALEXANDER POPE

    I know the thing that's most uncommon; (Envy be silent and attend!) I know a Reasonable Woman, Handsome and witty, yet a Friend. Not warp'd by Passion, aw'd by Rumour, Not grave thro' Pride, or gay thro' Folly, An equal Mixture of good Humour, And sensible soft Melancholy. `Has she no Faults then (Envy says) Sir?' Yes she has one, I must aver: When all the World comspires to praise her, The Woman's deaf, and does not hear.

  15. ARGUS

    BY ALEXANDER POPE

    When wise Ulysses, from his native coast Long kept by wars, and long by tempests toss'd, Arrived at last, poor, old, disguised, alone, To all his friends, and ev'n his Queen unknown, Changed as he was, with age, and toils, and cares, Furrow'd his rev'rend face, and white his hairs, In his own palace forc'd to ask his bread, Scorn'd by those slaves his former bounty fed, Forgot of all his own domestic crew, The faithful Dog alone his rightful master knew! Unfed, unhous'd, neglected, on the clay Like an old servant now cashier'd, he lay; Touch'd with resentment of ungrateful man, And longing to behold his ancient lord again. Him when he saw he rose, and crawl'd to meet, ('Twas all he could) and fawn'd and kiss'd his feet, Seiz'd with dumb joy; then falling by his side, Own'd his returning lord, look'd up, and died!

  16. An Essay on Man: Epistle I

    BY ALEXANDER POPE

    To Henry St. John, Lord Bolingbroke

    Awake, my St. John! leave all meaner things

    To low ambition, and the pride of kings.

    Let us (since life can little more supply

    Than just to look about us and to die)

    Expatiate free o'er all this scene of man;

    A mighty maze! but not without a plan;

    A wild, where weeds and flow'rs promiscuous shoot;

    Or garden, tempting with forbidden fruit.

    Together let us beat this ample field,

    Try what the open, what the covert yield;

    The latent tracts, the giddy heights explore

    Of all who blindly creep, or sightless soar;

    Eye Nature's walks, shoot folly as it flies,

    And catch the manners living as they rise;

    Laugh where we must, be candid where we can;

    But vindicate the ways of God to man.


    I.

    Say first, of God above, or man below,

    What can we reason, but from what we know?

    Of man what see we, but his station here,

    From which to reason, or to which refer?

    Through worlds unnumber'd though the God be known,

    'Tis ours to trace him only in our own.

    He, who through vast immensity can pierce,

    See worlds on worlds compose one universe,

    Observe how system into system runs,

    What other planets circle other suns,

    What varied being peoples ev'ry star,

    May tell why Heav'n has made us as we are.

    But of this frame the bearings, and the ties,

    The strong connections, nice dependencies,

    Gradations just, has thy pervading soul

    Look'd through? or can a part contain the whole?


    Is the great chain, that draws all to agree,

    And drawn supports, upheld by God, or thee?


    II.

    Presumptuous man! the reason wouldst thou find,

    Why form'd so weak, so little, and so blind?

    First, if thou canst, the harder reason guess,

    Why form'd no weaker, blinder, and no less!

    Ask of thy mother earth, why oaks are made

    Taller or stronger than the weeds they shade?

    Or ask of yonder argent fields above,

    Why Jove's satellites are less than Jove?


    Of systems possible, if 'tis confest

    That Wisdom infinite must form the best,

    Where all must full or not coherent be,

    And all that rises, rise in due degree;

    Then, in the scale of reas'ning life, 'tis plain

    There must be somewhere, such a rank as man:

    And all the question (wrangle e'er so long)

    Is only this, if God has plac'd him wrong?


    Respecting man, whatever wrong we call,

    May, must be right, as relative to all.

    In human works, though labour'd on with pain,

    A thousand movements scarce one purpose gain;

    In God's, one single can its end produce;

    Yet serves to second too some other use.

    So man, who here seems principal alone,

    Perhaps acts second to some sphere unknown,

    Touches some wheel, or verges to some goal;

    'Tis but a part we see, and not a whole.


    When the proud steed shall know why man restrains

    His fiery course, or drives him o'er the plains:

    When the dull ox, why now he breaks the clod,

    Is now a victim, and now Egypt's God:

    Then shall man's pride and dulness comprehend

    His actions', passions', being's, use and end;

    Why doing, suff'ring, check'd, impell'd; and why

    This hour a slave, the next a deity.


    Then say not man's imperfect, Heav'n in fault;

    Say rather, man's as perfect as he ought:

    His knowledge measur'd to his state and place,

    His time a moment, and a point his space.

    If to be perfect in a certain sphere,

    What matter, soon or late, or here or there?

    The blest today is as completely so,

    As who began a thousand years ago.


    III.

    Heav'n from all creatures hides the book of fate,

    All but the page prescrib'd, their present state:

    From brutes what men, from men what spirits know:

    Or who could suffer being here below?

    The lamb thy riot dooms to bleed today,

    Had he thy reason, would he skip and play?

    Pleas'd to the last, he crops the flow'ry food,

    And licks the hand just rais'd to shed his blood.

    Oh blindness to the future! kindly giv'n,

    That each may fill the circle mark'd by Heav'n:

    Who sees with equal eye, as God of all,

    A hero perish, or a sparrow fall,

    Atoms or systems into ruin hurl'd,

    And now a bubble burst, and now a world.


    Hope humbly then; with trembling pinions soar;

    Wait the great teacher Death; and God adore!

    What future bliss, he gives not thee to know,

    But gives that hope to be thy blessing now.

    Hope springs eternal in the human breast:

    Man never is, but always to be blest:

    The soul, uneasy and confin'd from home,

    Rests and expatiates in a life to come.


    Lo! the poor Indian, whose untutor'd mind

    Sees God in clouds, or hears him in the wind;

    His soul, proud science never taught to stray

    Far as the solar walk, or milky way;

    Yet simple nature to his hope has giv'n,

    Behind the cloud-topt hill, an humbler heav'n;

    Some safer world in depth of woods embrac'd,

    Some happier island in the wat'ry waste,

    Where slaves once more their native land behold,

    No fiends torment, no Christians thirst for gold.

    To be, contents his natural desire,

    He asks no angel's wing, no seraph's fire;

    But thinks, admitted to that equal sky,

    His faithful dog shall bear him company.


    IV.

    Go, wiser thou! and, in thy scale of sense

    Weigh thy opinion against Providence;

    Call imperfection what thou fanciest such,

    Say, here he gives too little, there too much:

    Destroy all creatures for thy sport or gust,

    Yet cry, if man's unhappy, God's unjust;

    If man alone engross not Heav'n's high care,

    Alone made perfect here, immortal there:

    Snatch from his hand the balance and the rod,

    Rejudge his justice, be the God of God.

    In pride, in reas'ning pride, our error lies;

    All quit their sphere, and rush into the skies.

    Pride still is aiming at the blest abodes,

    Men would be angels, angels would be gods.

    Aspiring to be gods, if angels fell,

    Aspiring to be angels, men rebel:

    And who but wishes to invert the laws

    Of order, sins against th' Eternal Cause.


    V.

    Ask for what end the heav'nly bodies shine,

    Earth for whose use? Pride answers, " 'Tis for mine:

    For me kind Nature wakes her genial pow'r,

    Suckles each herb, and spreads out ev'ry flow'r;

    Annual for me, the grape, the rose renew,

    The juice nectareous, and the balmy dew;

    For me, the mine a thousand treasures brings;

    For me, health gushes from a thousand springs;

    Seas roll to waft me, suns to light me rise;

    My foot-stool earth, my canopy the skies."


    But errs not Nature from this gracious end,

    From burning suns when livid deaths descend,

    When earthquakes swallow, or when tempests sweep

    Towns to one grave, whole nations to the deep?

    "No, ('tis replied) the first Almighty Cause

    Acts not by partial, but by gen'ral laws;

    Th' exceptions few; some change since all began:

    And what created perfect?"—Why then man?

    If the great end be human happiness,

    Then Nature deviates; and can man do less?

    As much that end a constant course requires

    Of show'rs and sunshine, as of man's desires;

    As much eternal springs and cloudless skies,

    As men for ever temp'rate, calm, and wise.

    If plagues or earthquakes break not Heav'n's design,

    Why then a Borgia, or a Catiline?

    Who knows but he, whose hand the lightning forms,

    Who heaves old ocean, and who wings the storms,

    Pours fierce ambition in a Cæsar's mind,

    Or turns young Ammon loose to scourge mankind?

    From pride, from pride, our very reas'ning springs;

    Account for moral, as for nat'ral things:

    Why charge we Heav'n in those, in these acquit?

    In both, to reason right is to submit.


    Better for us, perhaps, it might appear,

    Were there all harmony, all virtue here;

    That never air or ocean felt the wind;

    That never passion discompos'd the mind.

    But ALL subsists by elemental strife;

    And passions are the elements of life.

    The gen'ral order, since the whole began,

    Is kept in nature, and is kept in man.


    VI.

    What would this man? Now upward will he soar,

    And little less than angel, would be more;

    Now looking downwards, just as griev'd appears

    To want the strength of bulls, the fur of bears.

    Made for his use all creatures if he call,

    Say what their use, had he the pow'rs of all?

    Nature to these, without profusion, kind,

    The proper organs, proper pow'rs assign'd;

    Each seeming want compensated of course,

    Here with degrees of swiftness, there of force;

    All in exact proportion to the state;

    Nothing to add, and nothing to abate.

    Each beast, each insect, happy in its own:

    Is Heav'n unkind to man, and man alone?

    Shall he alone, whom rational we call,

    Be pleas'd with nothing, if not bless'd with all?


    The bliss of man (could pride that blessing find)

    Is not to act or think beyond mankind;

    No pow'rs of body or of soul to share,

    But what his nature and his state can bear.

    Why has not man a microscopic eye?

    For this plain reason, man is not a fly.

    Say what the use, were finer optics giv'n,

    T' inspect a mite, not comprehend the heav'n?

    Or touch, if tremblingly alive all o'er,

    To smart and agonize at ev'ry pore?

    Or quick effluvia darting through the brain,

    Die of a rose in aromatic pain?

    If nature thunder'd in his op'ning ears,

    And stunn'd him with the music of the spheres,

    How would he wish that Heav'n had left him still

    The whisp'ring zephyr, and the purling rill?

    Who finds not Providence all good and wise,

    Alike in what it gives, and what denies?


    VII.

    Far as creation's ample range extends,

    The scale of sensual, mental pow'rs ascends:

    Mark how it mounts, to man's imperial race,

    From the green myriads in the peopled grass:

    What modes of sight betwixt each wide extreme,

    The mole's dim curtain, and the lynx's beam:

    Of smell, the headlong lioness between,

    And hound sagacious on the tainted green:

    Of hearing, from the life that fills the flood,

    To that which warbles through the vernal wood:

    The spider's touch, how exquisitely fine!

    Feels at each thread, and lives along the line:

    In the nice bee, what sense so subtly true

    From pois'nous herbs extracts the healing dew:

    How instinct varies in the grov'lling swine,

    Compar'd, half-reas'ning elephant, with thine:

    'Twixt that, and reason, what a nice barrier;

    For ever sep'rate, yet for ever near!

    Remembrance and reflection how allied;

    What thin partitions sense from thought divide:

    And middle natures, how they long to join,

    Yet never pass th' insuperable line!

    Without this just gradation, could they be

    Subjected, these to those, or all to thee?

    The pow'rs of all subdu'd by thee alone,

    Is not thy reason all these pow'rs in one?


    VIII.

    See, through this air, this ocean, and this earth,

    All matter quick, and bursting into birth.

    Above, how high, progressive life may go!

    Around, how wide! how deep extend below!

    Vast chain of being, which from God began,

    Natures ethereal, human, angel, man,

    Beast, bird, fish, insect! what no eye can see,

    No glass can reach! from infinite to thee,

    From thee to nothing!—On superior pow'rs

    Were we to press, inferior might on ours:

    Or in the full creation leave a void,

    Where, one step broken, the great scale's destroy'd:

    From nature's chain whatever link you strike,

    Tenth or ten thousandth, breaks the chain alike.


    And, if each system in gradation roll

    Alike essential to th' amazing whole,

    The least confusion but in one, not all

    That system only, but the whole must fall.

    Let earth unbalanc'd from her orbit fly,

    Planets and suns run lawless through the sky;

    Let ruling angels from their spheres be hurl'd,

    Being on being wreck'd, and world on world;

    Heav'n's whole foundations to their centre nod,

    And nature tremble to the throne of God.

    All this dread order break—for whom? for thee?

    Vile worm!—Oh madness, pride, impiety!


    IX.

    What if the foot ordain'd the dust to tread,

    Or hand to toil, aspir'd to be the head?

    What if the head, the eye, or ear repin'd

    To serve mere engines to the ruling mind?

    Just as absurd for any part to claim

    To be another, in this gen'ral frame:

    Just as absurd, to mourn the tasks or pains,

    The great directing Mind of All ordains.


    All are but parts of one stupendous whole,

    Whose body Nature is, and God the soul;

    That, chang'd through all, and yet in all the same,

    Great in the earth, as in th' ethereal frame,

    Warms in the sun, refreshes in the breeze,

    Glows in the stars, and blossoms in the trees,

    Lives through all life, extends through all extent,

    Spreads undivided, operates unspent,

    Breathes in our soul, informs our mortal part,

    As full, as perfect, in a hair as heart;

    As full, as perfect, in vile man that mourns,

    As the rapt seraph that adores and burns;

    To him no high, no low, no great, no small;

    He fills, he bounds, connects, and equals all.


    X.

    Cease then, nor order imperfection name:

    Our proper bliss depends on what we blame.

    Know thy own point: This kind, this due degree

    Of blindness, weakness, Heav'n bestows on thee.

    Submit.—In this, or any other sphere,

    Secure to be as blest as thou canst bear:

    Safe in the hand of one disposing pow'r,

    Or in the natal, or the mortal hour.

    All nature is but art, unknown to thee;

    All chance, direction, which thou canst not see;

    All discord, harmony, not understood;

    All partial evil, universal good:

    And, spite of pride, in erring reason's spite,

    One truth is clear, Whatever is, is right.

 
Previous
Previous

Edgar Allan Poe

Next
Next

Ezra Pound