Christina Rossetti

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Christina Rossetti, 1830-1894

One of the most important female writers of the 19th century, Christina Rossetti is remembered for her acerbic love poetry, vivacious ballads and nursery rhymes. She is probably best-known today for writing the carol In the Bleak Mid-Winter.

Rossetti was born in London in 1830 into a remarkable family of artists, scholars and writers. Her father was an exiled Italian revolutionary and poet and her brothers William and Dante Gabriel Rossetti were founding members of art movement the Pre-Raphaelite Brotherhood. Christina had her own first book of poetry privately printed by her grandfather when she was 12 years old. Aged 19 she contributed poems to Pre-Raphaelite journal The Germ, under the pseudonym Ellen Alleyn.

The women in her family were committed High Church Anglicans and as a teenager, Christina suffered a nervous breakdown that was diagnosed at the time as 'religious mania'. Rossetti fell in love with several suitors, but rejected them all because they failed to share her precise religious convictions. In 1862, at the age of 32, she published her first full collection, Goblin Market and Other Poems. A sensuous fairy story, Goblin Market is a heady tale of repressed sexuality and sisterhood. Her concern with female fellowship was played out in real life as Rossetti devoted ten years as a volunteer at St Mary Magdalene's penitentiary for prostitutes and unmarried mothers in Highgate.

Religious themes dominate her work but Rossetti never preaches, instead exploring the tensions between earthly passions and divine love. Graves Disease took its toll on Rossetti in later years, and the loss of beauty was a recurrent theme: "Youth gone and beauty gone, what doth remain?/ The longing of a heart pent up forlorn" (Youth Gone, And Beauty Gone). She died in 1894.

Selected Poems by CHRISTINA ROSSETTI

  1. Echo

    by CHRISTINA ROSSETTI

    Come to me in the silence of the night;
    Come in the speaking silence of a dream;
    Come with soft rounded cheeks and eyes as bright
    As sunlight on a stream;
    Come back in tears,
    O memory, hope, love of finished years.
    O dream how sweet, too sweet, too bitter sweet,
    Whose wakening should have been in Paradise,
    Where souls brimfull of love abide and meet;
    Where thirsting longing eyes
    Watch the slow door
    That opening, letting in, lets out no more.
    Yet come to me in dreams, that I may live
    My very life again though cold in death:
    Come back to me in dreams, that I may give
    Pulse for pulse, breath for breath:
    Speak low, lean low
    As long ago, my love, how long ago.

  2. Remember

    by CHRISTINA ROSSETTI

    Remember me when I am gone away,
    Gone far away into the silent land;
    When you can no more hold me by the hand,
    Nor I half turn to go yet turning stay.
    Remember me when no more day by day
    You tell me of our future that you plann’d:
    Only remember me; you understand
    It will be late to counsel then or pray.
    Yet if you should forget me for a while
    And afterwards remember, do not grieve:
    For if the darkness and corruption leave
    A vestige of the thoughts that once I had,
    Better by far you should forget and smile
    Than that you should remember and be sad. 

  3. Fata Morgana

    by CHRISTINA ROSSETTI

    A blue-eyed phantom far before
    Is laughing, leaping toward the sun:
    Like lead I chase it evermore,
    I pant and run.
    It breaks the sunlight bound on bound:
    Goes singing as it leaps along
    To sheep-bells with a dreamy sound
    A dreamy song.
    I laugh, it is so brisk and gay;
    It is so far before, I weep: 
    I hope I shall lie down some day,
    Lie down and sleep. 

  4. Fluttered Wings

    by CHRISTINA ROSSETTI

    The splendour of the kindling day,
    The splendor of the setting sun,
    These move my soul to wend its way,
    And have done 
    With all we grasp and toil amongst and say.
    The paling roses of a cloud,
    The fading bow that arches space,
    These woo my fancy toward my shroud,
    Toward the place 
    Of faces veil’d, and heads discrown’d and bow’d.
    The nation of the awful stars,
    The wandering star whose blaze is brief,
    These make me beat against the bars
    Of my grief; 
    My tedious grief, twin to the life it mars.
    O fretted heart toss’d to and fro,
    So fain to flee, so fain to rest!
    All glories that are high or low,
    East or west,
    Grow dim to thee who art so fain to go.

  5. Dream Land

    by CHRISTINA ROSSETTI

    Where sunless rivers weep
    Their waves into the deep,
    She sleeps a charmed sleep:
    Awake her not.
    Led by a single star,
    She came from very far
    To seek where shadows are
    Her pleasant lot.
    She left the rosy morn,
    She left the fields of corn,
    For twilight cold and lorn
    And water springs.
    Through sleep, as through a veil,
    She sees the sky look pale,
    And hears the nightingale
    That sadly sings.
    Rest, rest, a perfect rest
    Shed over brow and breast;
    Her face is toward the west,
    The purple land.
    She cannot see the grain
    Ripening on hill and plain;
    She cannot feel the rain
    Upon her hand.
    Rest, rest, for evermore
    Upon a mossy shore;
    Rest, rest at the heart’s core
    Till time shall cease:
    Sleep that no pain shall wake;
    Night that no morn shall break
    Till joy shall overtake
    Her perfect peace.

  6. Eve

    by CHRISTINA ROSSETTI

    ‘While I sit at the door
    Sick to gaze within
    Mine eye weepeth sore
    For sorrow and sin:
    As a tree my sin stands
    To darken all lands;
    Death is the fruit it bore.
    ‘How have Eden bowers grown
    Without Adam to bend them!
    How have Eden flowers blown
    Squandering their sweet breath
    Without me to tend them!
    The Tree of Life was ours,
    Tree twelvefold-fruited,
    Most lofty tree that flowers,
    Most deeply rooted:
    I chose the tree of death.
    ‘Hadst thou but said me nay,
    Adam, my brother,
    I might have pined away
    I, but none other:
    God might have let thee stay
    Safe in our garden,
    By putting me away
    Beyond all pardon.
    ‘I, Eve, sad mother
    Of all who must live,
    I, not another
    Plucked bitterest fruit to give
    My friend, husband, lover—;
    O wanton eyes, run over;
    Who but I should grieve?—
    Cain hath slain his brother:
    Of all who must die mother,
    Miserable Eve!’
    Thus she sat weeping,
    Thus Eve our mother,
    Where one lay sleeping
    Slain by his brother.
    Greatest and least 
    Each piteous beast
    To hear her voice
    Forgot his joys
    And set aside his feast.
    The mouse paused in his walk
    And dropped his wheaten stalk;
    Grave cattle wagged their heads
    In rumination;
    The eagle gave a cry
    From his cloud station
    Larks on thyme beds
    Forbore to mount or sing;
    Bees drooped upon the wing;
    The raven perched on high
    Forgot his ration;
    The conies in their rock,
    A feeble nation,
    Quaked sympathetical;
    The mocking-bird left off to mock;
    Huge camels knelt as if
    In deprecation;
    The kind hart’s tears were falling;
    Chattered the wistful stork;
    Dove-voices with a dying fall
    Cooed desolation
    Answering grief by grief.
    Only the serpent in the dust
    Wriggling and crawling,
    Grinned an evil grin and thrust
    His tongue out with its fork.

  7. A Daughter of Eve

    by CHRISTINA ROSSETTI

    A fool I was to sleep at noon,
    And wake when night is chilly
    Beneath the comfortless cold moon;
    A fool to pluck my rose too soon,
    A fool to snap my lily.
    My garden-plot I have not kept;
    Faded and all-forsaken,
    I weep as I have never wept:
    Oh it was summer when I slept,
    It’s winter now I waken.
    Talk what you please of future spring
    And sun-warm’d sweet to-morrow:
    Stripp’d bare of hope and everything,
    No more to laugh, no more to sing,
    I sit alone with sorrow.

  8. A Birthday

    by CHRISTINA ROSSETTI

    My heart is like a singing bird
    Whose nest is in a water’d shoot;
    My heart is like an apple-tree
    Whose boughs are bent with thickset fruit;
    My heart is like a rainbow shell
    That paddles in a halcyon sea;
    My heart is gladder than all these
    Because my love is come to me.
    Raise me a dais of silk and down;
    Hang it with vair and purple dyes;
    Carve it in doves and pomegranates,
    And peacocks with a hundred eyes;
    Work it in gold and silver grapes,
    In leaves and silver fleurs-de-lys;
    Because the birthday of my life
    Is come, my love is come to me.

  9. A Bruised Reed He Shall Not Break
    by CHRISTINA ROSSETTI

    I will accept thy will to do and be,
    Thy hatred and intolerance of sin,
    Thy will at least to love, that burns within
    And thirsteth after Me:
    So will I render fruitful, blessing still,
    The germs and small beginnings in thy heart,
    Because thy will cleaves to the better part.—
    Alas, I cannot will.
    Dost not thou will, poor soul? Yet I receive
    The inner unseen longings of the soul,
    I guide them turning towards Me; I control
    And charm hearts till they grieve:
    If thou desire, it yet shall come to pass,
    Though thou but wish indeed to choose My love;
    For I have power in earth and heaven above.—
    I cannot wish, alas!
    What, neither choose nor wish to choose? and yet
    I still must strive to win thee and constrain:
    For thee I hung upon the cross in pain,
    How then can I forget?
    If thou as yet dost neither love, nor hate,
    Nor choose, nor wish,—resign thyself, be still
    Till I infuse love, hatred, longing, will.—
    I do not deprecate.

  10. A Chilly Night

    by CHRISTINA ROSSETTI

    I rose at the dead of night
    And went to the lattice alone
    To look for my Mother’s ghost
    Where the ghostly moonlight shone.
    My friends had failed one by one,
    Middle aged, young, and old,
    Till the ghosts were warmer to me
    Than my friends that had grown cold.
    I looked and I saw the ghosts
    Dotting plain and mound:
    They stood in the blank moonlight
    But no shadow lay on the ground;
    They spoke without a voice
    And they leapt without a sound.
    I called: ‘ O my Mother dear, ‘ —
    I sobbed: ‘ O my Mother kind,
    Make a lonely bed for me
    And shelter it from the wind:
    ‘ Tell the others not to come
    To see me night or day; 
    But I need not tell my friends
    To be sure to keep away.’
    My Mother raised her eyes,
    They were blank and could not see;
    Yet they held me with their stare
    While they seemed to look at me.
    She opened her mouth and spoke,
    I could not hear a word
    While my flesh crept on my bones
    And every hair was stirred.
    She knew that I could not hear
    The message that she told
    Whether I had long to wait
    Or soon should sleep in the mould:
    I saw her toss her shadowless hair
    And wring her hands in the cold.
    I strained to catch her words
    And she strained to make me hear,
    But never a sound of words
    Fell on my straining ear.
    From midnight to the cockcrow
    I kept my watch in pain
    While the subtle ghosts grew subtler
    In the sad night on the wane.
    From midnight to the cockcrow
    I watched till all were gone,
    Some to sleep in the shifting sea
    And some under turf and stone:
    Living had failed and dead had failed
    And I was indeed alone.

  11. A Chill

    by CHRISTINA ROSSETTI

    What can lambkins do
    All the keen night through?
    Nestle by their woolly mother
    The careful ewe.
    What can nestlings do
    In the nightly dew?
    Sleep beneath their mother’s wing
    Till day breaks anew.
    If in a field or tree
    There might only be 
    Such a warm soft sleeping-place
    Found for me! 

  12. When I Am Dead, My Dearest

    by CHRISTINA ROSSETTI

    When I am dead, my dearest,
    Sing no sad songs for me;
    Plant thou no roses at my head,
    Nor shady cypress tree:
    Be the green grass above me
    With showers and dewdrops wet;
    And if thou wilt, remember,
    And if thou wilt, forget.
    I shall not see the shadows,
    I shall not feel the rain;
    I shall not hear the nightingale
    Sing on, as if in pain:
    And dreaming through the twilight
    That doth not rise nor set,
    Haply I may remember,
    And haply may forget

  13. In The Bleak Midwinter

    by CHRISTINA ROSSETTI

    In the bleak midwinter, frosty wind made moan,
    Earth stood hard as iron, water like a stone;
    Snow had fallen, snow on snow, snow on snow,
    In the bleak midwinter, long ago.

    Our God, Heaven cannot hold Him, nor earth sustain;
    Heaven and earth shall flee away when He comes to reign.
    In the bleak midwinter a stable place sufficed
    The Lord God Almighty, Jesus Christ.

    Enough for Him, Whom cherubim, worship night and day,
    Breastful of milk, and a mangerful of hay;
    Enough for Him, Whom angels fall before,
    The ox and ass and camel which adore.

    Angels and archangels may have gathered there,
    Cherubim and seraphim thronged the air;
    But His mother only, in her maiden bliss,
    Worshipped the beloved with a kiss.

    What can I give Him, poor as I am?
    If I were a shepherd, I would bring a lamb;
    If I were a Wise Man, I would do my part;
    Yet what I can I give Him: give my heart.

  14. A Riddle

    by CHRISTINA ROSSETTI

    There is one that has a head without an eye,
    And there's one that has an eye without a head.
    You may find the answer if you try;
    And when all is said,
    Half the answer hangs upon a thread.

  15. A Ballad Of Boding

    by CHRISTINA ROSSETTI

    There are sleeping dreams and waking dreams;
    What seems is not always as it seems.

    I looked out of my window in the sweet new morning,
    And there I saw three barges of manifold adorning
    Went sailing toward the East:
    The first had sails like fire,
    The next like glittering wire,
    But sackcloth were the sails of the least;
    And all the crews made music, and two had spread a feast.

    The first choir breathed in flutes,
    And fingered soft guitars;
    The second won from lutes
    Harmonious chords and jars,
    With drums for stormy bars:
    But the third was all of harpers and scarlet trumpeters;
    Notes of triumph, then
    An alarm again,
    As for onset, as for victory, rallies, stirs,
    Peace at last and glory to the vanquishers.

    The first barge showed for figurehead a Love with wings;
    The second showed for figurehead a Worm with stings;
    The third, a Lily tangled to a Rose which clings.
    The first bore for freight gold and spice and down;
    The second bore a sword, a sceptre, and a crown;
    The third, a heap of earth gone to dust and brown.
    Winged Love meseemed like Folly in the face;
    Stinged Worm meseemed loathly in his place;
    Lily and Rose were flowers of grace.

    Merry went the revel of the fire-sailed crew,
    Singing, feasting, dancing to and fro:
    Pleasures ever changing, ever graceful, ever new;
    Sighs, but scarce of woe;
    All the sighing
    Wooed such sweet replying;
    All the sighing, sweet and low,
    Used to come and go
    For more pleasure, merely so.
    Yet at intervals some one grew tired
    Of everything desired,
    And sank, I knew not whither, in sorry plight,
    Out of sight.

    The second crew seemed ever
    Wider-visioned, graver,
    More distinct of purpose, more sustained of will;
    With heads erect and proud,
    And voices sometimes loud;
    With endless tacking, counter-tacking,
    All things grasping, all things lacking,
    It would seem;
    Ever shifting helm, or sail, or shroud,
    Drifting on as in a dream.
    Hoarding to their utmost bent,
    Feasting to their fill,
    Yet gnawed by discontent,
    Envy, hatred, malice, on their road they went.
    Their freight was not a treasure,
    Their music not a pleasure;
    The sword flashed, cleaving through their bands,
    Sceptre and crown changed hands.

    The third crew as they went
    Seemed mostly different;
    They toiled in rowing, for to them the wind was contrary,
    As all the world might see.
    They labored at the oar,
    While on their heads they bore
    The fiery stress of sunshine more and more.
    They labored at the oar hand-sore,
    Till rain went splashing,
    And spray went dashing,
    Down on them, and up on them, more and more.
    Their sails were patched and rent,
    Their masts were bent,
    In peril of their lives they worked and went.
    For them no feast was spread,
    No soft luxurious bed
    Scented and white,
    No crown or sceptre hung in sight;
    In weariness and painfulness,
    In thirst and sore distress,
    They rowed and steered from left to right
    With all their might.
    Their trumpeters and harpers round about
    Incessantly played out,
    And sometimes they made answer with a shout;
    But oftener they groaned or wept,
    And seldom paused to eat, and seldom slept.
    I wept for pity watching them, but more
    I wept heart-sore
    Once and again to see
    Some weary man plunge overboard, and swim
    To Love or Worm ship floating buoyantly:
    And there all welcomed him.

    The ships steered each apart and seemed to scorn each other,
    Yet all the crews were interchangeable;
    Now one man, now another,
    —Like bloodless spectres some, some flushed by health,—
    Changed openly, or changed by stealth,
    Scaling a slippery side, and scaled it well.
    The most left Love ship, hauling wealth
    Up Worm ship's side;
    While some few hollow-eyed
    Left either for the sack-sailed boat;
    But this, though not remote,
    Was worst to mount, and whoso left it once
    Scarce ever came again,
    But seemed to loathe his erst companions,
    And wish and work them bane.

    Then I knew (I know not how) there lurked quicksands full of dread,
    Rocks and reefs and whirlpools in the water-bed,
    Whence a waterspout
    Instantaneously leaped out,
    Roaring as it reared its head.

    Soon I spied a something dim,
    Many-handed, grim,
    That went flitting to and fro the first and second ship;
    It puffed their sails full out
    With puffs of smoky breath
    From a smouldering lip,
    And cleared the waterspout
    Which reeled roaring round about
    Threatening death.
    With a horny hand it steered,
    And a horn appeared
    On its sneering head upreared
    Haughty and high
    Against the blackening lowering sky.
    With a hoof it swayed the waves;
    They opened here and there,
    Till I spied deep ocean graves
    Full of skeletons
    That were men and women once
    Foul or fair;
    Full of things that creep
    And fester in the deep
    And never breathe the clean life-nurturing air.

    The third bark held aloof
    From the Monster with the hoof,
    Despite his urgent beck,
    And fraught with guile
    Abominable his smile;
    Till I saw him take a flying leap on to that deck.
    Then full of awe,
    With these same eyes I saw
    His head incredible retract its horn
    Rounding like babe's new born,
    While silvery phosphorescence played
    About his dis-horned head.
    The sneer smoothed from his lip,
    He beamed blandly on the ship;
    All winds sank to a moan,
    All waves to a monotone
    (For all these seemed his realm),
    While he laid a strong caressing hand upon the helm.

    Then a cry well nigh of despair
    Shrieked to heaven, a clamor of desperate prayer.
    The harpers harped no more,
    While the trumpeters sounded sore
    An alarm to wake the dead from their bed:
    To the rescue, to the rescue, now or never,
    To the rescue, O ye living, O ye dead,
    Or no more help or hope for ever!—
    The planks strained as though they must part asunder,
    The masts bent as though they must dip under,
    And the winds and the waves at length
    Girt up their strength,
    And the depths were laid bare,
    And heaven flashed fire and volleyed thunder
    Through the rain-choked air,
    And sea and sky seemed to kiss
    In the horror and the hiss
    Of the whole world shuddering everywhere.

    Lo! a Flyer swooping down
    With wings to span the globe,
    And splendor for his robe
    And splendor for his crown.
    He lighted on the helm with a foot of fire,
    And spun the Monster overboard:
    And that monstrous thing abhorred,
    Gnashing with balked desire,
    Wriggled like a worm infirm
    Up the Worm
    Of the loathly figurehead.
    There he crouched and gnashed;
    And his head re-horned, and gashed
    From the other's grapple, dripped bloody red.

    I saw that thing accurst
    Wreak his worst
    On the first and second crew:
    Some with baited hook
    He angled for and took,
    Some dragged overboard in a net he threw,
    Some he did to death
    With hoof or horn or blasting breath.

    I heard a voice of wailing
    Where the ships went sailing,
    A sorrowful voice prevailing
    Above the sound of the sea,
    Above the singers' voices,
    And musical merry noises;
    All songs had turned to sighing,
    The light was failing,
    The day was dying—
    Ah me,
    That such a sorrow should be!

    There was sorrow on the sea and sorrow on the land
    When Love ship went down by the bottomless quicksand
    To its grave in the bitter wave.
    There was sorrow on the sea and sorrow on the land
    When Worm ship went to pieces on the rock-bound strand,
    And the bitter wave was its grave.
    But land and sea waxed hoary
    In whiteness of a glory
    Never told in story
    Nor seen by mortal eye,
    When the third ship crossed the bar
    Where whirls and breakers are,
    And steered into the splendors of the sky;
    That third bark and that least
    Which had never seemed to feast,
    Yet kept high festival above sun and moon and star.

  16. On The Death Of A Cat

    by CHRISTINA ROSSETTI

    Who shall tell the lady's grief
    When her Cat was past relief?
    Who shall number the hot tears
    Shed o'er her, beloved for years?
    Who shall say the dark dismay
    Which her dying caused that day?

    Come, ye Muses, one and all,
    Come obedient to my call.
    Come and mourn, with tuneful breath,
    Each one for a separate death;
    And while you in numbers sigh,
    I will sing her elegy.

    Of a noble race she came,
    And Grimalkin was her name.
    Young and old full many a mouse
    Felt the prowess of her house:
    Weak and strong full many a rat
    Cowered beneath her crushing pat:
    And the birds around the place
    Shrank from her too close embrace.
    But one night, reft of her strength,
    She laid down and died at length:
    Lay a kitten by her side,
    In whose life the mother died.
    Spare her line and lineage,
    Guard her kitten's tender age,
    And that kitten's name as wide
    Shall be known as her's that died.

    And whoever passes by
    The poor grave where Puss doth lie,
    Softly, softly let him tread,
    Nor disturb her narrow bed.

  17. On the Wing

    by CHRISTINA ROSSETTI

    Once in a dream (for once I dreamed of you)
    We stood together in an open field;
    Above our heads two swift-winged pigeons wheeled,
    Sporting at ease and courting full in view.
    When loftier still a broadening darkness flew,
    Down-swooping, and a ravenous hawk revealed;
    Too weak to fight, too fond to fly, they yield;
    So farewell life and love and pleasures new.
    Then, as their plumes fell fluttering to the ground,
    Their snow-white plumage flecked with crimson drops,
    I wept, and thought I turned towards you to weep:
    But you were gone; while rustling hedgerow tops
    Bent in a wind which bore to me a sound
    Of far-off piteous bleat of lambs and sheep.

  18. When A Mounting Skylark Sings

    by CHRISTINA ROSSETTI

    When a mounting skylark sings
    In the sunlit summer morn,
    I know that heaven is up on high,
    And on earth are fields of corn.
    But when a nightingale sings
    In the moonlit summer even,
    I know not if earth is merely earth,
    Only that heaven is heaven.

  19. Three Plum Buns

    by CHRISTINA ROSSETTI

    Three plum buns
    To eat here at the stile
    In the clover meadow,
    For we have walked a mile.
    One for you, and one for me,
    And one left over:
    Give it to the boy who shouts
    To scare sheep from the clover.

  20. Vanity Of Vanities

    by CHRISTINA ROSSETTI

    Ah, woe is me for pleasure that is vain,
    Ah, woe is me for glory that is past:
    Pleasure that bringeth sorrow at the last,
    Glory that at the last bringeth no gain!
    So saith the sinking heart; and so again
    It shall say till the mighty angel-blast
    Is blown, making the sun and moon aghast,
    And showering down the stars like sudden rain.
    And evermore men shall go fearfully,
    Bending beneath their weight of heaviness;
    And ancient men shall lie down wearily,
    And strong men shall rise up in weariness;
    Yea, even the young shall answer sighingly,
    Saying one to another: How vain it is!

  21. In an Artist's Studio

    BY CHRISTINA ROSSETTI

    One face looks out from all his canvases,

    One selfsame figure sits or walks or leans:

    We found her hidden just behind those screens,

    That mirror gave back all her loveliness.

    A queen in opal or in ruby dress,

    A nameless girl in freshest summer-greens,

    A saint, an angel — every canvas means

    The same one meaning, neither more or less.

    He feeds upon her face by day and night,

    And she with true kind eyes looks back on him,

    Fair as the moon and joyful as the light:

    Not wan with waiting, not with sorrow dim;

    Not as she is, but was when hope shone bright;

    Not as she is, but as she fills his dream.

  22. Shut Out

    BY CHRISTINA ROSSETTI

    The door was shut. I looked between
    Its iron bars; and saw it lie,
    My garden, mine, beneath the sky,
    Pied with all flowers bedewed and green:

    From bough to bough the song-birds crossed,
    From flower to flower the moths and bees;
    With all its nests and stately trees
    It had been mine, and it was lost.

    A shadowless spirit kept the gate,
    Blank and unchanging like the grave.
    I peering through said: “Let me have
    Some buds to cheer my outcast state.”

    He answered not. “Or give me, then,
    But one small twig from shrub or tree;
    And bid my home remember me
    Until I come to it again.”

    The spirit was silent; but he took
    Mortar and stone to build a wall;
    He left no loophole great or small
    Through which my straining eyes might look:

    So now I sit here quite alone
    Blinded with tears; nor grieve for that,
    For naught is left worth looking at
    Since my delightful land is gone.

    A violet bed is budding near,
    Wherein a lark has made her nest:
    And good they are, but not the best;
    And dear they are, but not so dear.

  23. Good Friday

    BY CHRISTINA ROSSETTI

    Am I a stone, and not a sheep,
    That I can stand, O Christ, beneath Thy cross,
    To number drop by drop Thy blood’s slow loss,
    And yet not weep?

    Not so those women loved
    Who with exceeding grief lamented Thee;
    Not so fallen Peter, weeping bitterly;
    Not so the thief was moved;

    Not so the Sun and Moon
    Which hid their faces in a starless sky,
    A horror of great darkness at broad noon –
    I, only I.

    Yet give not o’er,
    But seek Thy sheep, true Shepherd of the flock;
    Greater than Moses, turn and look once more
    And smite a rock.

  24. A Birthday

    BY CHRISTINA ROSSETTI

    My heart is like a singing bird

    Whose nest is in a water'd shoot;

    My heart is like an apple-tree

    Whose boughs are bent with thickset fruit;

    My heart is like a rainbow shell

    That paddles in a halcyon sea;

    My heart is gladder than all these

    Because my love is come to me.


    Raise me a dais of silk and down;

    Hang it with vair and purple dyes;

    Carve it in doves and pomegranates,

    And peacocks with a hundred eyes;

    Work it in gold and silver grapes,

    In leaves and silver fleurs-de-lys;

    Because the birthday of my life

    Is come, my love is come to me.

  25. Winter: My Secret

    BY CHRISTINA ROSSETTI

    I tell my secret? No indeed, not I;

    Perhaps some day, who knows?

    But not today; it froze, and blows and snows,

    And you’re too curious: fie!

    You want to hear it? well:

    Only, my secret’s mine, and I won’t tell.


    Or, after all, perhaps there’s none:

    Suppose there is no secret after all,

    But only just my fun.

    Today’s a nipping day, a biting day;

    In which one wants a shawl,

    A veil, a cloak, and other wraps:

    I cannot ope to everyone who taps,

    And let the draughts come whistling thro’ my hall;

    Come bounding and surrounding me,

    Come buffeting, astounding me,

    Nipping and clipping thro’ my wraps and all.

    I wear my mask for warmth: who ever shows

    His nose to Russian snows

    To be pecked at by every wind that blows?

    You would not peck? I thank you for good will,

    Believe, but leave the truth untested still.


    Spring’s an expansive time: yet I don’t trust

    March with its peck of dust,

    Nor April with its rainbow-crowned brief showers,

    Nor even May, whose flowers

    One frost may wither thro’ the sunless hours.


    Perhaps some languid summer day,

    When drowsy birds sing less and less,

    And golden fruit is ripening to excess,

    If there’s not too much sun nor too much cloud,

    And the warm wind is neither still nor loud,

    Perhaps my secret I may say,

    Or you may guess.

 
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Ezra Pound

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Sappho